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E. CaôauiHUKOBa. Tejiexeaxp: (JjopMU oxpaxeHHH peajibHocxH 55

PaMna H XH3Hb 65

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£. JIyu,KaH. HocH({). CyMÔaxauiBHJiH . . . 93

BA. FluMenoe. KoHCxanxHH ViuaKOB . . . 97

K). FepacuMOB. TpyAU H AHH CxaHHCJiaBCKoro 100

A. BucAoe. .;^H3Hb B HCKyccxBe . . . . 102 M. UlBbidKoû. npeABapHTe.HbHbie HxorH . . 104 F. AndpeeBCKaH. 0 KHHre «Bojibuiofi t e a ip CoiOBa CCP» 107 BuuiJiH B CBex 108

OcKup Peuea. rojioca JIIOÔHMOBKH . . . . 109

E. FpuiuuHa. flexcKHH xeaxp HB Bep.iHna . . 121 A. Oôpaaifoea. Tlapnx Teaipajibnuft: .xosHesa n rocTH 126

PoMan CoAHuee. AsponopT «MeAseAt». Rbeca B AByx AeflcTBHHX 137 JleoHud 3opuH. HsMeaa. KoMCAHa B Asyx Aefl-CXBHHX 173 KpaxKoe coAepjKaHue nbec na aHr.nHflcKOM HSUKe 191

KDMOP 192

Contens

i- , ;»JÎ>vrj '

Débuts

Théâtre review

Portraits

At the cross-roads of arts

Tribune

Stage..design

Essay

Booi<s

History

Abroad

Plays

To our readers! 3

Théâtre and time 4

Anar's plays. Olga Shikhzamanova 7

Innokenti Smoktunovski. André] Karaulov 10 Efim Kopelyan. Marina Korostyleva 13 The master of the Abhazia stage. Tatyana Gulia 18 Yuri Negoitse. Elena Korovina, Zinaida Burdyuzha . . . . 21 Along The Nevsky and backwards. Nina Dzyubinskaya . . . 25 Gedryus Matskyavichus and his productions. Boris Kagarlitski . 27 Editorial note 32

Our Pushkin théâtre. Yu. Smirnov-Nesvitski 33

The plays of Anatcli Alexin. VI. Voronov 46

TV-theatre: the ways reflecting of the reality. E. Sabashnikova . 55

Footlights and life 65

Shagreen skin. R. Krechetova 81

losif Sumbatashvili. E. Lutskaya 93

Konstantin Ushakov. VI. Pimenov 97

The Works and days of Stanislavski. Yu. Gerasimov . . . . 100 Life in the art. A. Vislov 102 The preliminary results. M. Shvydkoj 104 The book "The Bolshoi théâtre". G. Andreevskaya . . . . 107 Out of print 108

Lyubimovka's voices. Oskar Remez 109

The children théâtre from Berlin. E. Grishina 121 Theatrical Paris: hosts and guests. A. Obraztsova 126

Airport "The bear". A play in two acts. Roman Solntsev . 137 Conjugal infidelity. A comedy in two acts. Leonid Zorin . . 173 A Short Summary of the plays 191

Humour 192

«Teaip», 1979 r.

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10

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B. MoKcuMoea. PasMUUifleHHH noc^e racxpo;ieH

HnnoAUT PoMaHOBuH. Cepreii MapxHHcOH

17 42

47 62

68

72

81

89

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JTbecbi BuKTop Poaoe. PnesAO r./iyxapH. CeMeflaue cuenu B AByx AeficXBHHX 131 AABKcandp FlerpauiKeBun. ttpaHUHCK CKOpHHa. HcxopHqecKaa ApaMa B AByx qacxnx. AaxopHso-BaHHbiii nepesoA c ôejiopyccKOro H. MHpouiHH-qeHKO 160 KpaxKoe coAepJKaHHe nbec na aHrJiHHCKOM asHKe 192

^'.f'v^'wviimim^mma pupwm.igg'gt'^^w'j

Contents

Taking care of village culture. V. Zhukov

GITIS 1878—1978

The problems .of the musical théâtre

Stage design

Review

Portraits

History

Plays

GITIS is 100. A. Rapokhin 10 The former students take the floor. The first... Yuri Dmitriev * "That very one". Efim Kholodov * My universities. Andrej Goncharov * Open, sesamel Nina Velekho-va * The influence of the personality. Boleslav Rostotski * Dzhive-legov's style. Tatyana Bachelis * The legend of Konstantin Locks. Olga Dzyubinskaya * The first teacher. Boris Zingerntan * They gave us everything. Arkadi Gashinski * Who went to the front in 1941. Yuli Shub * We lived friendly. Anatoli Papanov * We belong to one school. Henrikas Vancyavichus * A lucky course. Nina Engel-Utina * Always with me. Eteri Gugushvili * A native home. Hoshim Godoev * To teachers with thanks. Leonid Hejfets * The lessons of loftiness. Nikolay Dariye * Twelve. (A short sociolo-gical research) • "Drinking water — remember its source". Fam Van Fuk * To love théâtre. Horst Hawemann * Instructions for the whole life. Mladen Kiselov * ...teaçhing in Paris the System of Stanislavski. Yutaka Wada 17 GITIS, students who graduated in 1978. N. Zhegin 42

Opéra. The period of innovation. M. Byalik 47 With love to the genre! Anatoli Borisov 62 A eulogy to operetta. Valeri Semenovski 68

Yuri Pimenov. M. Knebel 72

Méditations after the tours. V. Maksimova 81

Sergej Martinson. Ippolit Romanovich 89


Roses and thorns. Alexander Stein 113 Lyubimovka's voices. (To be continued). Oscar .Remez . . 118

The home of a wood-grouse. Family scènes in two acts. Victor Rozov 131 Francisk Skorina. A historical drama in two acts. Alexander Petrash-kevich. Authorized translation from Byelorussian by N. Miroshni-chenko 160 A Short Summary of the plays 192

CflaHO B HaCop 24.XI. 1973 r. riozzz A-04917 OCteM 12,5 ne-!. .1. Vci. iHpaîK 35 000 3K3. OopMai 54;.;;:: HexoBCKHii no.THrpaJH-recK::'; x::..: rocyaapcTBeHHoro KOMHreia CGC? no.iHrpa(})HH H KHHHÎHOS TOOTZI".

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M. UlBbidKoû. He nsMenaa ce6e . . . . H. BacuAUHUHa. Hyxb xeaxpa Cepeeû CraxopcKuâ. MexaMop(j)03bi ABHHceHHa H. KasbMuna. fleub npeAonpeAeJieHHîi

PaMna H xHSHb

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C. JlaaABKaMoea. AjieKcaHAp FoAyHOB

A. BucAOB. «3a aeJieHoii ABepbio» . . . .

A. HoBUKOB. TeaxpajibHbiH njianax . . . .

OcKap PeMea. Fojioca JIK)6HMOBKH. (OKOHHanHe)

6 7 9

11 13 16 18

19 20 21

22 30 37 41

49

65 67 68 69 71 73 75

76

78

86

96

97

E. 0aAbKOBUH. XlBHaceHHe BpeMeHH . . . . 109 K- CiapoceAbCKan. TpareAHH, caxHpa, (j)apc . . 116 H. MHZKoaa. TajiHH HS Byxapecxa . . . . 121 F. MaKapoaa, B. FyAbWHKO. J!lK)cce.sbAop(J)CKHH ApaMaxHqecKHft xeaxp B MocKBe 125

3on BoaycAaBCKaR. KOHXBKX! ncHXO.iorHiecKaH

xpoHHKa B AByx qacTHX 132 ddaapd PaôsuncKuâ. JlyHHH, Kjm CMepxb yK.av.a, sanHcaHHaa B npncyxcxBHH Xosanna. Hbeca . . 160 JlmÔMUAa FleTpyuieBCKaH. JIioôoBb. OAHoaKxnaa nbeca 183 KpaxKoe coAepKanHe nbec na aHr.nHHCK0M HsuKe 191

IOMOP . . 1 9 2

Contents

The théâtre of the peoples of the USSR

Théâtre review

Tribune

Portraits

Theory

Stage design

History

Abroad

The messengers of the people. E. Fadeeva 3

Discussing the problems of translation 6 "Translation is the child of love". Chingiz Ajtmatov . . . . 7 In order to give a full answer. Anar 9 The value of the word. Yuozas Grushas 11 Should the play be interesting! Al. Chkhaidze 13 On the cross-roads. Askad Mukhtar . 16 Questions for yourself and for the people. Gunar Priede . . . 18 The play — the translation — the translator. Vitali Razdolski . . 19 Together with the author. Otiya loseliani 20 My point of view. Tatyana Urbel 21

Not betraying yourself. M. Shvydkoj 22 The road of the théâtre. /. Vasilinina 30 The métamorphoses of the movement. Sergej Stakhorski . . . 37 The day of prédestinations. A . Kazmina 41


What actually happens with the actors? The rules of the game. Andrej Popov 65 From the inside and the outside. Michail Ulyanov 67 ...mentioning the things, which are not usually mentioned. Igor Ilyinski 68 I never want a différent Ufe! Lev Durov 69 Engagement and change. Valeri Turovski 71 Who is guilty? Oleg Yankovski 73 We are aware of this. Valentin Gaft 75 The price of inspiration. E. Dmitrievskaya, V. Dmiirievski . . 76

Alexander Godunov. S .Davlekamova 78

"Behind the green door". A. Vislov 86

Théâtre poster. A. Novikov 96

Lyubimovka's voices. (The end). Oscar Remez 97

The movement of time. E. Falkovich 109 Tragedy, satire, farce. K. Staroselskaya 116 Thalia from Bucharest. /. Myagkova 121 Dûsseldorf Drama Théâtre in Moscow. G. Makarova, V. Gulchenko 125

Plays Contact! A psychological chronicle in two parts. Zoya Boguslavskaya 132 Lunin or Jacques's death, written in the Master's présence. A play Edward Radzinski 160 Love. A one-act play. Lyudmila Petrushevskaya 183 A Short Summary of the plays 191

Humour 192

CaaHo B Haôop 20.12.78. rioanHCaHo B neiaTb 12.02.79. A03745 <I>opMaT 84XI08Vi6. OfiieM 12.5 nei . n. Yci. ne4. .1. 21.0. yq.-Hsa. n. 22.97 Tiipa>K 35 000 3K3. SaKas 2903. MexoBCKHft noJinrpaitiimecKHit KOMÔHHaT CoK>3no.iiHrpai{)npoMa rocyaapcTBeHHoro KOMiiteTa CCCP no nenam H3aaTejibcTB,

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T . FpeHKO. HpoSjieMbi «KOCMHqecKoro> x a n p a 18 M. BuuineBCKan. BpsMH. Aaxop. PexHccep 21 JI. KopneuioB. Hpnxqa o cnpaBeAJiHBOCxH 26 A. HnnxuH. «Hxo aa npejiecxb axH CKa3KH...> 29 Jl. (ppeûÔAUH. MuBaa canab anox 34 M. BannuioBa. BypjiaKOBH 37 A. SacAOBCKan. X3nnH-(})apc 40

HpKyxcK. BA. FIUMBHOB. CaMoôuxHocxb H MacxepcxBO . . . . 45 KpacHOiipcK. E. Fpuutuna. Hepsufi ACHb xeaxpa 49 A. HaymoB. TeaxpaflbHwe axiOAU JIIOÔOBH SaraftHOBOft . . . 5 4 A6aKaH. F. EypnaKoaa, H. Tapuiuc. H raM.nex H myxHHK AiiAo.naft . 60 BAaduMup OpenoB. CueHorpa(J)HH flajibHero BocxoKa . . . . .65

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06cyxAaeM npoSjieMU nepesoAa Hpuna MyxpoHBAU. He nopa JIH paaoMKnyxb npyr? * OpuAxan Eoiceee. npo6,neMU ApaMaxypra — npo6jieMbi nepeaoAHHKa * Tauapa KOAUKU-na. Paôoxaxb Bcepbea * Feopee MaAapnyn. HapaAOKcajibHhie ApaMbi H xpareAHH • Bopaup XoAa^HH. OôpaxHaa cxopona KOBpa * AycMa Jleeaôa. Kasajiocb 6bi, GeccnopHue HCXHHH... * Kaauc Can. Mxo xaKoe «KpsKyxHbiii»? * Fpuaopuû Fopun. Coaaxop ApaMaxypra * BuAb Fa-nues. MoHOJiorH, cxasuiHe AHajioraMH 66

B. Bycpep. TeaxpajibHuft ncAaror, KXO OH? 88

F. EpoôcKax. AHApefl Honoa 94

Hxo x e Bce-xaKH npoHcxoAHx c aKxepaMH? OAez E^ipeMOB. KaKoa cnpoc, xaKOBO H npeAJioxenHe * OAez Bacu-AauiBUAU. SaHHXocxb He oôeAHaex * PeauManiac AÔOMOÛTUC. He Jiraxb ce6e H ApyrnM • ApMen FIoKuzapxaHsiH. «HoxoMy qxo a ajiofl» * lOpuû (IKOBABB. HxHUbi cHHHe H cepbie * Jlea Kapaxan. AKxepu H MH • ÛAea TaôaKOB. Ox Hac caMHx... "* FlaaeA PeanuKoa. Anxep Ao;JxeH Hrpaxb * Orap MeeBuneryxyifecu. KonHXb qejioseKa B ce6e * HAba Aaepôax. Mu c aKxepaMH nepacxopjKHMu... * BuKTop FyAbnen-KO. B ojKHAaHHH qyAa * Ox peAaKUHH 101

Ha cuenax Mupa

Poca HAeana Boyôer. «CyA» B xeaxpe ScKaMÔpaii * M. UlBbiÔKOû. TpH BcxpeqH c TaAeymeM JIOMHHUKHM * JI. SUMOH. «Bypa» HacopAxo Cxpejiepa * F. 3Ao6un. CaexHJibHHK, pasronaiomHii Mrjiy * A. Tep-Fpuaopan. MOJIHHH naA nycxupeM * H. lepnoBa. Beqepa 6a.neTH0fi n033HH 128

MuxauA Pou{UH. CneuiHxe Ae.naxb Aoôpo. JXpaua B Aayx qacxax . . 145 FyceÛH MyxrapoB. H xeniocb na ôaôyuiKe. KOMBAKH B Aayx qacxax. ABXopH30BaHHufl HepeBOA c xypKMeHCKoro A. MnmapHHa . . . 171 KpaxKoe coAepjKanHe nbec na aHr.nHHCKOM asuKe 192

Contents

'i i.'^Ç«*>-J,-i'^||^'|47

Productions

In the Siberian and Far-Eastern théâtres


The problems of today

Portraits

Tribune

Art and the éducation of the new man. Yu. Lukin 5 Apprehending Lenin's character. Nikolay Grlgoryev 12

The problems of the "cosmic" genre. G. Grechko 18 Time. Author. Director. /. Vishnevskaya 21 A parable about justice. L. Korneshov 26 "What a nice thing thèse taies are...". A. Inyakhin 29 A true connection of the epochs. L. Frejdlin 34 The Burlakovs. M. Vanyashova 37 A happy-farce. A. Zaslavskaya 40

Irkutsk. Originality and skill. VI. Pimenov 45 Krasnoyarsk. The first day of the théâtre. £. Grishina 49 The théâtre sketches of Lyubov Zagaynova. A. Naumov 54 Abakan. Both Hamlet and the joker Aydolay. G. Burnakova, N. Tarshis . . . 60 Stage design of the Far-East. Vladimir Orenov 65

Discussing the problems of translation Isn't it high time to solve the problem? Irina Mukhranell * The problems of the dra-matist —the problems of the translator. Oralkhan Bokeev * To work seriously. Tamara Kalyakina * The paradoxical dramas and comédies. George Malarchuk * The back side of the carpet. Zorair Khalafyan * The seemingly indisputable truths. Ausma Legzda * What is "kryakutny"? Kazis Saya * The coauthor of the playwright. Grlgorl Gorin * Monologues, turned into dialogues. Vil Ganiev 66

Who is the théâtre teacher? V. Eufer 88

Andrej Popov. G. Brodskaya • . . . 94

What does actually happen with the actors?

The supply is equal with the demand. Oleg Efremov * Being busy doesn't make the actor more poor. Oleg Basilashvili * Not to lie to yourself and to other people. Regimantas Adomajtis * "Because I am angry". Armen Dzhigarkhanyan. * Blue and grey birds. Yuri Yakovlev * Actors and ourselves. Lev Karakhan * Dépends on ourselves... Oleg Tabakov * An actor is to play. Pavel Reznikov * To cultivate personality in our soûls. Otar Megvinetukhutsesi * Actors and ourselves are inséparable... Ilya Averbakh * Waiting for miracle. Victor Gulchenko * Editorial note 101

Abroad

Plays

On world stages "The court martial" at the Escambray théâtre. Rosa Ileana Boudet * Three meetings with Tadeusz Lomnicki. M. Shvydkoj * "The tempest" of Giorgio Strehler. L. Zi-man * The lamp, dispelling the darkness G. Zlobin * The lightning over the waste land. A. Ter-Grigoryan * The evenings of the ballet poetry. N. Chernova . . . . 128

Hasten to make good. A drama in two parts. Mikhail Roschin 145 I marry the grandmother. A comedy in two parts. Gusayn Mukhtarov. Authorized translation from Turkmenian by A. Misharin 171 A Short Summary of the plays 192

© «TeaTp», 1979 r.

CjiaHO B Ha6op 23.01.79. FIoanHcaHO B neiaxt 12.03.79. A05722 OopinaT 84X108'/u. 06-beM 12,5 ne>i. n. Yen. neq. n. 21,0. yq.-H3A. JI. 22,70. THpa>K 35 000 3K3. 3aKa3 94. HexoBCKHfl noJiHrpacJjHiecKHil KOMÔHHaT Coio3noJiHrpa4>npoMa TocyjiapCTBeHHoro KOMHTera CCCP no «eJiaM HSAatejibCTB, no.nHrpa4>iiH H KHHXKOA xoproBjiH. r. HexoB MOCKOBCKOA oCiacTH

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H. CaauifKUû. Bepnxt acerAa . . . . 12 H. iCotowoe. Boii aa xpKAuaxb mecxyra napaJiJienb . . . . . 17 OAbea UIoAoxoaa, BAaôuMup KAUMOB. ^amasim no Ta^napy . . 20 A. leueruH. PeAKaa rocxba ciienu ' . . . . . . . . 24 fi. CuAuna. Xlsa seqepa y KaMajioauea 26 E. FIoiopoBCKuû. ^H;ia-6u;ia AesyniKa MoHHKa 30 H. HypôxaHOB. Bap<}), HOH, O6, HOH 33

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T. PoôuHa. nocTOHHHoe o6HOB.JieHHe * H. BuMueecKan. O npose, He saxoxeBiueû cxaxb ApaMoft * JIuôun FunaBypa. Pasroaop * A. Buc-Aoe. AHxpaKx * BuKTop AcTaipbea. BceMy CBOH qac •* BacuAuû Be-Aoe. Bosapauiaacb K nepBOHaqa.nbHUM HCXHUBM * OTua HoceAuanu. RoHCKH scanpa * AABKcandp Kpon. CMena o6ieKXHBa * B. Kocre-Annetf. /IpaMaxHqecKaa axxHBHocxb 37

PaMna H XHSHb 63

PocTucAug FIAHTT. HOCH<ÎI TyManoB 81

E. FIoARKOBa. HMeneM Tojicxoro 85

JleoHud BeAexoB. HyxH cqacxjiHBofi aKxpncu 100

BuKTop JîpaayncKuû. Oxanna JiHcxbes . 1 0 7

KopoxKO o KHHrax 117

F. ToecTOHoaoe, K. Jlaepoe, 3. FyayuieuAu, A. CaoBodun, K). Ulyô. O HauieM Apyre * F. XaûnenKO. Y HCXOKOB coBexcKoro xeaxpa . . 120

A. KoMencKUû. B xeaxpe Tumjiepa 124

CeaBAuna FbopoBa. MexoAH AHAOHOB 129 KoHcraHTun lUepBaKOB. TpaAHUHH Mo.aoAbie H cxapue . . . . 137

KopoxKO 145

MuxauÀ Bop(poAOMeea. CBHXoft H rpeuiHbift. TparHK0.\ieAHH B naxii KapxHHax 149 HoKyôac CKAioTaycKac, MuKOAac HUIKHBUHIOC. Cjiuiuy MyauKy... /loKyMeHia.ibHaa xpOHHKa B xpex AeftcxBHax. RepeaoA c .îiHXOBCKoro H. CK.nK)xaycKaca 168 LUoTa iKadya. MnHHaxropu: «MHHyxoqKy!>, «Muoro JIH qeAoseKy na-Ao?» HepeBOA c aOxascKoro aaxopa 187 KpaxKoe coAepwaHHe nbec na aHr iHHCKOM asfaïKe 192

Contents ' 1 ? f- i

Tribune

Productions

Theory

Portraits

Review

The art of the young génération

Publication

Stage design

Abroad

Plays

The people of the new soil are my greatest impression. E. Gogoleva . 3 We saw our komsomol youth... N. Kryuchkov 5 What sort of spectators they were!.. B. Gorbatov 6 The reminiscencies of the new soil are very precious for me! B. Popov 8 The lessons of the new soil. B. Chlrkov 10

To always believe. N. Savitski 12 The battle for the thirty sixth parallel. N. Kachalov . . . . . . . 17 The fantasies oa Gaydar's thèmes. Olga Sholokhova, Vladimir Klimov 20 The rare guest of the stage. A. Chechetin 24 Two evenings at the Kamal théâtre. /. Silina 26 There lived a girl Monika. B. Poyurovski 30 Snow, bread, water, soûl... A . Nurdzhanov 33

Théâtre. Drama. Prose The constant rénovation. T. Rodina * About prose, that did not want to become drama. /. Vishnevskaya * A talk. Lidiya Ginzburg • The interlude. A. Vislov * Its proper time for everything. Victor Astafyev * Corning back to the original truths. Vasili Belov * In search of the genre. Otiya loseliani * The change of the objective. Alexander Kron * The dramatic activity. B. Koste-lyanets 37


losif Tumanov. Rostlslav Plyatt 81

On behalf of Tolstoy. E. Polyakova 85

The roads of the happy actress. Leonid Velekhov 100

A handful of leaves. VWor Dragunski 107

Books in brief 117

About our friend. G. Tovstonogov, K. Lavrov, E. Gugushvili, A. Svobodin,

Yu. Shub * At the sources of the Soviet théâtre. G. Khaychenko . . . 120

In Tyshler's théâtre. A. Kamenski 124

Metodi Andonov. Sevelina Gyorova 129 The young and old traditions. Konstantin Scherbakov 137 In brief 145 The saint and the sinner. A tragicomedy in five épisodes. Mikhail Vorfolomeev 149 I hear music. A documentary chronicle in three acts. lokubas Sklyutauskas, Mikolas Yackyavichus. Translated from Lithuanin by I. Sklyutauskas . . 168 Miniatures: "Wait a minute!", "Does a person need much?" Shota Chkadua. Translated from the Abkhazian by the author 187 A Short Summary of the plays 192

CAano B Hafiop 22.02.79. IloAnHcaHO B neqaTb 13.04.79. A05080. «PopMaT 84X103Vis. BbicoKas neiaTb. ByMara THnorpa(j)CKa!i JVs 1. OcHOBHaa rapHHTypa jinTeparypHaH. Ofi-bCM 12 ne i . n. + BKjiaAKa 0,5 ne<!. n. ycji. ne i . n. 20,16. yi.-H3a. JI. 23,05. THpa>K 35.000 3K3. 3aKa3 ik 374 HexoBCKHft no.iHrpa({)H<iecKHfi KOMÔHHai- CoKi3noJTHrpa(i)npOMa rocyflapcTBeHHoro KOMHTCTa CCCP no aejiaM iisaaTe.TbCTB,

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CncKxaKJiH Anna FsoaôeBa. HpaaAa qyacxB JI. AnnuncKuû. Paann. UlynuiKH. BaxxaHroBau E. CoAnifesa. HyxemecxBHe B AexcxBO 3. BAaôuMupoaa. SBesAHuii qac CCJIHHU Mype EAena MuxaÛAoaa, Cepaeû MuxaÛAoa. Hcnuxa-HHe . . . .

17 20 24 28

31

Teopna Tearp. flpaMa. Hpoaa Af. TypoBCKaH. C6flH3KeHHe * H. KaabMuna. «H BHCHx Ha BepeBKe JiyHa> * 9. BereMoa. Ha c/iywôe AByx rocnoA * C. UlaAbTonuc. Bon,no-meHHoe cJiOBo * K. PydnuifKuû. KeHxae-pu * B. XaAuaea. ,a,Ba xeKcxa * Af. Kazan. Hxo xe 3X0 xaKoe —ApaMa? * Ox peAanuHH 35

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06o3peHHe

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Teaxp HapoAOB CCCP

HcxopHsi

3a pydexoM

AnaroAuû CjneAHHCKUû. TeMa H aapHauHH 81

Hbecbi

M. rioxapcKaa. Ha BUCxaBKe «Hxora cesona 1977/78» . 94

fiKOB (PeAbÔMan. H3 6eceA c A.nHMOM XoAHcae-BUM 99 K. ^uien, A. CaAbincKuû. F. ToacTonoaoa, T. Typ-cyHOB, K). JlMurpuee, K). lUyB. O H. C. tI)e.iibA-Mane 104

Al. COKOAbCKUÛ. ApHH LUaKJlOBHXOrO . . . 106

H. }KeauH. BHTEO XII 112 B. CuAionac. Tearp HauHH B IOJKHOM no.iiy-luapHH 119 M. UlBbtÔKOÛ. KapXHHKH C BUCxaBKH . . . 130 JI. Xeûtpeti. Mexupe n;iioc OAHH njiioc OAHH . . 137 M. 3Ao6uHa. ABHHbOH 78: AnxyaH Bnxea H Apy-rne 141

MuxauA Ularpoe. PesoJirouHOHHUH SXIOA (CHHHC KOHH Ha KpacHoiî xpaBe). Onux ny6.nHUHCXHqe-CKOH ApaMU 145 Ty(paH MunnyAAUH. OAHHOKaa. Hbeca B Asyx ACHCXBHHX. ABxopH30BaHHUH HepeBOA c xaxapcKO-ro lOpHH MoHajioBa 172 KpaxKoe coAepxaHHe nbec na anrJiHHCKOM asuKe 192

I

Contents

Heroic deedi Juri Kayurov 9 Interaction and mutual enrichment of socialist cultures. T. Surina 9

Productions

Theory

Review

Stage design


History

Abroad

Plays

The truth of feelings. Anna Gvozdeva Razin. Shukshin. The Vakhtangov théâtre. L. Anninski A travel to childhood. E. Solniseva The starry hour of Selina Mouret. Z. Vladimirova The probation. Elena Mlkhajlova, Sergej Mikhajlov

Théâtre. Drama. Prose Bringing together. M. Turovskaya * "The moon is hanging on the rope". A . Kazmina • Serving two masters. E. Vetemaa • The incarnate word. S. Shaltyanis * Centaurs. A'. Rudnitski * Two texts. V. K/wnzeo * What is it—the drama? M. /Cogan * Editorial note

17 20 24 28 31

35

The friends from Vietnam in the editorial office of the journal

"Teatr" 63


Subject and variations. Anatoli Smelyanski 81

At the exhibition "The results of the 1977/78 season". M. Pozhar-

skaya 94 From the talks with Alim Khodzhaev. Yakov Feldman . . . 99 About Va. S. Feldman. K. Yashen, A. Salynski, G. Tovstonogov, T. Tursunov, Yu. Dmitriev, Yu. Shub 104

The aria of Shaklovity. M. Sokolski 106

BITEF XII. N. Zhegin 112 The Théâtre of Nations in the Southern hémisphère. V. Silyunas . 119 Pictures from the exhibition. M. Shvydkoj 130 Four plus one plus one. L. Khejfets 137 Avignon '78: Antoine Vitez and others. Af. Zlobina 141

A revolutionary étude. (Blue horses on red grass). An attempt on publicistic drama. Mikhail Shatrov 145 The lonely woman. A play in two acts. Tufan Minnullin. Authorized translation from Tatarian by Yuri Mochalov 172 A Short Summary of the plays 192

Cflano B HaÔop 23.03.79. rioAnHcano s neqaxb 21.05.79. A05765 <I>opMaT 84X108Vi,. EyHara THnorpa4>CKaa Ns I. na BKjiaAKy MejioBaHHan. OcHOBHaH rapHHTypa jiHTepaTypHaa. BbicoKaa neiaTb. Ofi-ben 12 neq. ji. -1- BKjiawa 0,5 nei. Ji. ycji. nei . JI. 20,16. Vt.-mA. ji. 23,59. Tnpaw 35 000 9K3. 3aKa3 669 WexoBCKHfl nojiHrpaiJjHqeCKHfl KoinSHHaT CoioanoJiHrpaiinpoMa rocyAapcTBeHHoro KOMHTexa CCCP no fl.ejiaM HaAaxejibcTB, nojiHrpa(J)HH H KHHXHOB TOPFOBJIK. r. MexOB MOCKOBCKOU oôjiacTH © «TeaTp», 1979 r.

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