concerto n°2 pour piano et orchestre [op.83] … · johannes brahms 1833-1897 p iano c oncert nr.2...
TRANSCRIPT
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Jean-Franois Lucarelli
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A propos de la pice
Titre : Concerto n2 pour piano et orchestre[op.83]
Compositeur : Brahms, JohannesDroit d'auteur : Copyright Jean-Franois LucarelliEditeur : Lucarelli, Jean-FranoisStyle : ClassiqueCommentaire : Brahms, concerto pour piano et orchestre n2, op.83
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Johannes Brahms1833-1897
PIANO CONCERT NR.2major in B
Op.83
for Piano & Orchestra
1881
Full Conductors Score
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Johannes Brahms
1833-1897
PIANO CONCERT NR.2
major in B
Op.83
Table of contents
I - Allegro non troppo 5
II - Allegro appassionato 84
III - Andante 125
IV - Allegretto grazioso 149
Source : Berlin: N. Simrock, 1882. Plate 8263.
Full Conductors Score
Typeset with LilyPond, a free software under GNU General Public License
Source & scores available on http://www.espace-midi.com/lilypond/en
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Johannes Brahms
PIANO CONCERT NR.2
major in B
Op.83
Orchestra
2 Flauti + piccolo
2 Oboi
2 Clarinetti
2 Fagotti
4 Corni
2 Trombe
3 Tromboni
Timpani
String ensemble
Piano solo
Approx. duration : 50 min.
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3EDITORIAL REMARKS
This transcription is engraved from the original edition, edited by
N. Simrock, Berlin, 1882, Plate H 1535. It is also intended to be as
faithful to the original as possible, including the exact position of
dynamics, hairpins, articulations, tremolos, beams, acchordic or
polyphonic notation, etc.
Parenthesized or bracketed items come from obvious errors or
omissions in our reference documents, and were checked in a recent
edition. They can also announce light differences between the
director and the parts.
Trills of which the second note is altered have this alteration
placed UNDER the sign of the trill according to the treaty of Music
Theory by A. Danhauser (1996).
The and symbols for soloist are taken again transcription ofthe concerto for two pianos, by the composer (source: Leipzig: Edition
Peters, No.3895, n.d. (ca.1910). Punt 10401.) It is the same for the
fingering , only deferred in the soloist part.
The bars included in the first box of repeat are not included in the
bar count, in accordance with current agreements (A. Danhauser
Music Theory 1996 - Jean-Pierre Coulon, Sottigra 2005)
The I mark is used in the reference score, instead of J, unlike
existing conventions. We kept this original notation.
First movement, bar 195: in the separated parts, the slur at the
second bassoon starts on the E (bar 194). We however preserved thenotation of the original edition.
First movement, bar 244, a FF is missing at clarinets in the
reference score.
First movement, bar 290, beat 4, piano, left hand: all the sources
give B (due to the sign on the first beat). B seems more correct.
First movement, bar 377: the B at timpani has neither trill nortremolo. We placed a tremolo, found in a modern edition.
Second movement, horn parts : some editions reverse horns 3 and 4
with horns 1 and 2. We preserved the layout of the director,
including in the separate parts.
Movement 2, bars 7 and 9: piano: two obvious ties are missing in
the reference score. We added them.
Second movement, bars 420 and 421: piano: two accents (>) in the
reference score can be confused with decrescendo. The comparison
with a modern edition confirms the accents. Same remarks for bars
442 and 443 at horns.
Third movement, bar 29, 5th beat, piano right hand: a is missingbefore the B. (reference: reduction for two pianos Edition Peters,
No.3895, n.d.(ca.1910). Plate 10401.)
Third movement, bar 42: the reference score comprises E at firstviolins which must be changed in E flat. The line of the oboes
confirms this error.
Movement 3, bar 44: a D appears on double basses. It must bechanged into D, as on cellos. Third movement, bars 50 and 51: piano, left hand, two eighth rests
must be quarter rests.
Fourth movement, bar 136 : an arco at cello is missing in our
reference score.
Fourth movement, bar 285, piano, right hand : a is missing at thesecond E. The left hand confirms this error.
Fourth movement, bar 311, piano, left hand : E is incorrectlynoted E (reference: reduction for two pianos Edition Peters,No.3895, n.d. (ca.1910). Plate 10401.)
The second movement contains two tempi placed directly on the
instrument staff (largamente for violins, bar 188 and sempre pi
agitato for piano, measures 396). These tempi are also found on
each separated parts. We preserved this setting.
NOTES DITORIALES
Cette transcription est ralise partir de l'dition originale
publie Berlin par N. Simrock, 1882. Plate 8263. Elle se veut aussi
fidle que possible l'originale, et ce y compris la position exacte et
la direction des nuances, des soufflets, des articulations, des
trmolos, des ligatures, la notation polyphonique ou accordique, etc.
Les items placs entre parenthses ou entre crochets proviennent
d'erreurs ou omissions videntes dans notre document de dpart, et
ont t vrifis dans une dition rcente. Elles peuvent galement
signaler de lgres diffrences entre la directrice et les parties.
Les trilles dont la seconde note est altre voient cette altration
place SOUS le signe du trille, conformment au trait de la
Thorie de la musique de A. Danhauser (1996).
Les symboles et de la partie soliste sont repris de latranscription du concerto pour deux pianos, par le compositeur
(source : Leipzig: Edition Peters, No.3895, n.d.(ca.1910). Plate
10401.) Il en est de mme pour les doigts, reports uniquement dans
la partie du soliste.
Les mesures comprises dans la premire bote d'une reprise ne sont
pas prises en compte dans le comptage des mesures, conformment
aux conventions actuelles (A. Danhauser Thorie de la musique,
1996 - Jean-Pierre Coulon, Sottigra 2005)
Le repre I est utilis dans la partition originale au lieu du J,
contrairement aux conventions actuelles. Nous avons conserv cette
notation originale
Mouvement 1, mes. 195 : dans les parties spares, la liaison au
second basson commence sur le Mi de la mesure 194. Nous avonstoutefois conserv la notation de l'dition originale.
Mouvement 1, mes. 244, un FF est manquant aux clarinettes dans
la partition de rfrence.
Mouvement 1, mes. 290, piano, quatrime temps, main gauche :
toutes les sources donnent un Si bcarre (bcarre plac sur le
premier temps). Un Si semble plus correct. Mouvement 1, mesure 377 : la ronde Si aux timbales ne possde nitrille ni trmolo. Nous avons plac un trmolo, trouv dans une
dition moderne.
Mouvement 2, parties de cors : certaines ditions inversent les cors
3 et 4 avec les cors 1 et 2. Nous avons conserv la disposition de la
directrice, y compris dans les parties spares.
Mouvement 2, mesures 7 et 9 : piano : deux liaisons de
prolongation videntes sont manquantes dans la partition de
rfrence.Nous les avons rajouts.
Mouvement 2, mesures 420 et 421 : piano : deux accents (>) dans la
partition de rfrence peuvent tre confondus avec des decrescendo.
La comparaison avec une dition moderne confirme les accents.
Mmes remarques mesures 442 et 443 aux cors.
Mouvement 3, mesure 29, piano cinquime temps, main droite : un
est manquant devant le Si. (rfrence : rduction pour deux pianosEdition Peters, No.3895, n.d.(ca.1910). Plate 10401.)
Mouvement 3, mesure 42 : la partition de rfrence comporte un
Mi aux premiers violons qui doit tre chang en Mi. La ligne deshautbois confirme cette erreur.
Mouvement 3, mesure 44 : un R apparait aux contrebasses. Il doittre chang en R, comme aux violoncelles. Mouvement 3, mesures 50, 51 : piano, main gauche deux
demi-soupirs doivent tre des soupirs.
Mouvement 4, mesure 136 : un arco manque au violoncelle dans
la partition de rfrence.
Mouvement 4, mesure 285, piano, main droite : un manque ausecond Mi. La main gauche confirme cette erreur.
Mouvement 4, mesure 311 : un Mi est erronment not Mi(rfrence : rduction pour deux pianos Edition Peters, No.3895,
n.d.(ca.1910). Plate 10401.)
Le second mouvement contient deux tempi placs directement sur
les portes des instruments (largamente aux violons, mesure 188 et
sempre pi agitato au piano, mesure 396). Ces tempi se retrouvent
galement dans les parties spares. Nous avons conserv cette
disposition.
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5
Piano Concert nr.2for Piano & Orchestra major in B
-- I --Johannes Brahms
Op.83
3
4
3
3
3
2
3
3
p
Allegro non troppo ( = 92)
Violine I
Pauken
in B , F
Trompet II
in B
Trompet I
in B
Horn IV
in F
Violoncell
Pianoforte
Bratsche
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in B
Oboe II
Oboe I
Flte II
Flte I
Horn III
in F
Horn II
basso in B
Horn I
basso in B
Fagott II
Fagott I
Klarinet II
in B
Allegro non troppo ( = 92)
1
Kontraba
Allegro non troppo ( = 92)5
mp
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7
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40
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-
84
-- II --
6
5
8 9
7
2
1
4
3
11
10
12
43
43
43
43
43
43
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43
43
43
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43
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43
43
43
43Allegro appassionato ( = 76)
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35
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28
32
30
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39
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42
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47
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44
45
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53
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http://www.free-scores.com
-
110
p
296
295
8
298
297
292
291
294
cresc.
293
300
299
f ben marc.
290
301
Hr.I
in D
Hr.I
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Hr.III
in B
Hr.IV
in B
#Tr.I
in D
Tr.II
in D
Pk.
Fl.I
Fl.II
Ob.I
Ob.II
Kl.I
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Kl.II
in B
Fg.I
Fg.II
Vl.I
Vl.II
Br.
Pft. Vc.
Kb.
E
E
E
dim.
dim.
dim.
dim. pp
pp
pp
dim.
dim.
pp
dim.
dim.
pp
pp
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pp
fzp
fzp
fzp
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fzp
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fzp
fzp
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pp
pp
pp
pp
pp
pp
pp
006-BraPC2HCondA
http://www.free-scores.com
-
111
%
F
F
F
310
9
9
9
9
311
9
9
9
9
308
9
309 313
9
9
9
314
9
9
9
9
312
304
305
3
3
3
3
303
307
9
9
9
3
3
3
3
3
3
3
3
306
9
9
9
9
315
Hr.IV
in B
Tr.I
in D
Tr.II
in D
Pk.
Vl.I
Vl.II
Br.
Pft.
Fl.I
Fl.II
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Ob.II
Kl.I
in B
Kl.II
in B
Fg.I
Fg.II
Hr.I
in D
Hr.I
in D
Hr.III
in B
302
316
Vc.
Kb.
arco
pp
dim.
arco
pp
dim.
dim.
dim.
pp semprearco
pp sempre
pp sempre
pp sempre
pp sempre
pp sempre
pp sempre
pp sempre
pp sempre
pp sempre
pp sempre
pp sempre
pp sempre
ff
dim.
dim.
dim.
ff
ff
dim.
dim.
dim.
dim.
ff
dim.
dim.
006-BraPC2HCondA
http://www.free-scores.com
-
112
324
323
326
327
325
319
318
8
321
322
320
ff ben marc.
328
329
Hr.I
in D
Hr.I
in D
Hr.III
in B
Hr.IV
in B
Tr.I
in D
Tr.II
in D
Pk.
Vl.I
Vl.II
Fl.I
Fl.II
Ob.I
Ob.II
Kl.I
in B
Kl.II
in B
Fg.I
Fg.II
317
Br.
Pft. Vc.
Kb.
ff
f
f
f
f
006-BraPC2HCondA
http://www.free-scores.com
-
113
339
337
338
332
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336
334
335
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)
%%
Hr.I
in D
Hr.III
in B
Hr.IV
in B
Tr.I
in D
Tr.II
in D
Pk.
Vl.I
Vl.II
Br.
Fl.I
Fl.II
Ob.I
Ob.II
Kl.I
in B
Kl.II
in B
Fg.I
Fg.II
Hr.I
in D
330
8
340
Pft. Vc.
Kb.
%
f
f
ff
ff
ff
ff
ff
ff
ff
ff
f
f
f
f
006-BraPC2HCondA
http://www.free-scores.com
-
114
350
348
349
343
344
342
8
346
347
345
351
Hr.I
in D
Hr.III
in B
Hr.IV
in B
Tr.I
in D
Tr.II
in D
Pk.
Vl.I
Vl.II
Br.
Fl.I
Fl.II
Ob.I
Ob.II
Kl.I
in B
Kl.II
in B
Fg.I
Fg.II
Hr.I
in D
341
8
Pft. Vc.
Kb.
8
mf
mf
mf
mf
mf
mf
006-BraPC2HCondA
http://www.free-scores.com
-
115
f
362 363
360
361
355
356
353
354
358
359357
p
Hr.IV
in B
Tr.I
in D
Tr.II
in D
Pk.
Vl.I
Vl.II
Br.
Pft.
Fl.I
Fl.II
Ob.I
Ob.II
Kl.I
in B
Kl.II
in B
Fg.I
Fg.II
Hr.I
in D
Hr.I
in D
Hr.III
in B
364
Vc.
Kb.
8
352
pizz.
p
p
p
p
p
p
p
p
p
p
pizz.