yann tiersen.docx

8/10/2019 Yann Tiersen.docx

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Yann Tiersen

1. Summer 78

2. Mother's Journey

3. Comptine d'un autre t

4. I saw Daddy today

5. Rendez-Vous6. Le Demarche

7. Childhood

8. La Valse d'Amlie

9. Father and Mother

Other very nice pieces:

Sur Le Fil

Rue Des Cascades

Naval

Dernire

La Plage

1) Yann Tiersen - Comptine d'un autre t - l'aprs midi

2) Ludovico Einaudi - Divenire

3) Yiruma- Rive flows in you

4) Carly Comando - every day

5) Yann Tiersen - Rue Des Cascades

6) Helen Jane Long - Expression

7) Back To Life - Giovanni Allevi

8) Wim Mertens - Struggle for pleasure

Tracklist:

10. Yiruma - Maybe0:08-0:35

9. Giovanni Allevi - Aria0:37-1:04

8. Carly Comando - Everyday1:05-1:32

7. Ludovico Einaudi - Le Onde1:33-2:16

6. Thomas Newman - Any Other Name2:17-3:00

5. Yiruma - River Flows In You3:01-3:43

4. Final Fantasy X-2 - 1000 Words3:44-4:23

3. Ludovico Einaudi - I Giorni4:25-5:11

2. Giovanni Allevi - Back To Life5:13-5:58

1. Final Fantasy X-2 - Memories of Lightwaves6:00-7:43

(could also be called Memories of Light and Wave If looking for the Sheet Music)

1) Ludovico Einaudi - Divenire (0:00-0:47)

2) Wim Mertens - Struggle for Pleasure (0:47-1:40)

3) Helen Jane Long - Expression (1:41-2:19)

4) Jennifer Haines - The Storm Begins (2:20-2:56)

5) Mychael Nyman - The Heart asks Pleasure First (2:57-3:30)

6) Yann Tiersen - Comptine d'un autre t: l'Aprs Midi (3:30-4:09)

7) Yiruma - River Flows in You (4:10-4:49)

8) Giovanni Allevi - Aria (4:49-5:40)

9) Carly Comando - Everyday (5:41-6:20)

10) Yanni - One Man's Dream (6:20-7:07)

Dillon Thirteen Thirtyfive

Hauschka:This is not a track that you would expect, but I like to cross into other fields just as the music we heard

before is crossing over into other fields.but Dillons music has something in common with the piano music above

and I like her minimalism.

Nicolas Jaar Space is Only Noise

Hauschka:I think this album is somehow connecting so many levels of music genres and stretching into other
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2/3

fields, which I totally like. It seems to me that his approach has a lot of similarities with an improvisation set with

Samuli Kosminen and me, as we are swapping from one genre into the other.

Keith Keniff Grace

Hauschka:Keith Keniff ,AKA Goldmund was one of the first musicians that I invited to the ApproximationFestival in Duesseldorf. The Festival was for me an option to invite musicians that have similarities with my music.

Sylvain Chaveau Nuage

Hauschka:Sylvains compositions are always very fragile. His first piano record on the label Fat Cat made me think

about my own piano record. So somehow he motivated me to get to where I am now.

Eluvium The Sleeper

Hauschka:I like the pieces that are somehow like a non-defined layer but they create a very strong emotional

reaction in me. Matthew Cooper AKA Eluvium does that for me in an excellent way.

RachelsEsperanza

Hauschka:What a wonderful pieceI like Rachel Grimess solo albums so much as well. I think Rachels was one

of the first bands, besides Stars of the Lid, that influenced me in a way to go more melodic without being cheesy.

Insa Donja Kai Red Reflections

Hauschka:I played with all three of these musicians and I think this is a wonderful piece from their first album. I

am always happy to follow the releases of friends and companions.

Max Richter The Trees

Hauschka:I like Max Richters way of writing for solo piano. This piece is a Max Richter classic for me, and I am

very pleased that we released records on the same label.

Rauelsson ~ Vora(Sonic Pieces)

Through a sumptuous 44 minutes that seem to coast on the crest of a single wave, Rauelsson presents an

ambitious yet intimate work of composition mostly bereft of the vocals once prevalent in his output. Vorastartswith a desolate piano piece before growing like the swell of that lone wave, introducing strings, harp, percussion

andin timevocals. Occasional electronics threaten to belie the organic flow, but the masterful transition from

synth-heavy rigidity to wilting orchestration actually makes penultimate track, Parasol, one of the highlights. A

coherent and melancholic gem. (Chris Redfearn)

Luke Howard ~ Sun, Cloud(Self-released)

On Sun, Cloud, Luke Howard (composer) pays homage to another Luke Howard (the meteorologist who

classified the clouds). This elegant suite moves with slow intention, like the clouds that flow from west to east.

The Melbourne Symphony and Oslo Philharmonic provide the album with many widescreen moments, but Sun,

Cloud soars in quiet, plaintive moments as well, as the composer dreams alone at his piano. (Richard Allen)
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3/3

Julia Kent ~ Character(Leaf)

A real surprise from the Leaf label, better known for its electronic leanings, Character is the sound of Julia Kent

coming into her own. These confident, dynamic compositions are compact and powerful, laden with sweet

melodies and memorable motifs. Like Sarah Neufeld (below), Kent began as the cellist in another band; but this

is the way we want to hear her now. (Richard Allen)

Daniel Bjarnason ~ Over Li ght Earth(Bedroom Community)

Processions has the big moments, but Over Light Earth is the more consistent album. As patient as an Icelandic

winter, the album stores provisions for the long haul, doling them out to listeners who wait, as hungry as wolves.

Inspired by Rothko and Pollock, Bjarnason utilizes broad strokes to convey his themes, but a tiny brush to

elucidate his ideas. Another triumph for the young composer, this album only increases our admiration. (Richard

Allen)

Review and purchase link

Eluvium ~ Nightmare Ending(Temporary Residence)

Nightmare Ending is the amalgamation of every album, side project and soundtrack that Matthew Robert Cooper

has worked on to date. It is everything one would want to hear on a contemporary classical album, with mood

swings coming in at the right times and wrapped in so much beauty it becomes almost unbearable. Piano,drones, ambience, muffled beats, noise: everything is here, and every single element works perfectly with the

rest. Its Eluviums best record date and you owe it to yourself to listen to it. (Mohammed Ashraf)

Semestral
http://acloserlisten.com/2013/11/26/daniel-bjarnason-over-light-earthhttp://acloserlisten.com/2013/11/26/daniel-bjarnason-over-light-earthhttp://acloserlisten.com/2013/11/26/daniel-bjarnason-over-light-earth

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