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MarginaliaBulletin bibliographique des études sur les littératures et le film populaires n° 71

SCIENCE-FICTION FANTASTIQUE FANTASY ROMAN POLICIERWESTERN RÉCIT DE GUERRE ROMAN HISTORIQUE BD ÉROTICA

LITTÉRATURE DE JEUNESSE

DÉCEMBRE 2011

Marginalia est publié 4 fois par an parNORBERT SPEHNER

565, rue de Provence, Longueuil, J4H 3R3 (Québec/Canada)

nspehner@sympatico.ca

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généralitésRappel : la rubrique intitulée « Géné-ralités » présente des ouvrages danslesquels on mélange les genres, lesinclassables, les études sur le roman et lefilm d’aventures, l’humour et le comique,la culture populaire en général, ainsi quecertaines « curiosités » éditoriales...

LITTÉRATURE

BACH, Svenja, Karl Mays Islambild und derEinfluss au seiner Leser, Husum, Sonderheftder Karl-May Gesellsachft, 2010, 112 pages.

BERKOVE, Lawrence I. (ed.), Jack London,Pasadena (CA), Salem Press, (CriticalInsights)2011, 360 pages.This volume on Jack London opens with essayson his career, life and influence. These includea perspective by Robert Roper for the The ParisReview.Essays that put the author in a critical contextinclude:Love in the Time of Darwinism: DialecticalApproximations in Jack London's Martin Eden,by Kenneth K. BrandtJack London in Context, by JacquelineTavernier-CourbinThe Literary Careers of Mark Twain and JackLondon, by Jeanne Campbell ReesmanThe Critical Reception of Jack London, byDonna M. CampbellCritical readings include:Jack London: Blond Beasts and Supermen, byCharles Child WalcuttJack London's Heart of Darkness, by Sam S.BaskettJack London's Use of Carl Jung's Psychology ofthe Unconscious, by James I. McClintock"The Kipling of the Klondike": Naturalism inLondon's Early Fiction, by Earl J. WilcoxFrom "All Gold Canyon" to The Acorn-Planter:Jack London's Agrarian Vision, by Earle LaborAndrogyny in the Novels of Jack London, byClarice StaszA Romantic Novel, by Jacqueline Tavernier-CourbinThe Cell, by James WilliamsIntroduction to Jack London's Tales ofCannibals and Headhunters, by Gary Riedl andThomas R. TietzeNew York City, Social Progress and the Crowd:Jack London's "Telic Action & Collective

Stupidity," by Susan NuernbergJack London, Jack Johnson, and the "GreatWhite Hope," by Jeanne Campbell Reesman.

BRENNAN, Zoe, Brontë’s Jane Eyre : AReader’s Guide, London, Continuum, 2010,viii, 141 pages.CROZIER-DE ROSA, Sharon, The MiddleClass Novels of Arnold Bennett and MarieCorelli : Realising the Ideals and Emotionsof Late Victorian Women, Lewiston (NY),Edwin Mellen Press, 2010, xi, 411 pages.

CREMONA, Nicolas, GENDREL, Bernard &Patrick MORAN (dir.), Fictions populaires,Paris, Éditions Classiques Garnier, (Rencontre),2011, 250 pages.Ce livre part du phénomène socio-historiquequ’est la littérature de masse pour développerune réflexion théorique sur ce qu’est lalittérature populaire, en affirmant que lesformes et les pratiques du XIXe siècle ne fontque réactiver ou poursuivre une tendanceprofonde de l’art narratif. Les fictionspopulaires, en ce sens, ne sont pas des sous-produits de l’activité éditoriale, mais desœuvres qui jouent directement avec lesmécanismes essentiels de l ’écritureromanesque.

This book looks at mass literature as a socio-historical phenomenon so as to elaborate atheoretical discussion on popular literature.

ENRIGHT, Kelly, The Maximum ofWilderness ; The Jungle in the AmericanImagination, Charlottesville, University ofVirginia Press, 2012, 200 pages.

ABONNEMENTS

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GILBERT, Pamela K. (ed.), A Companion toSensation Fiction, Malden (MA), Wiley-Blackwell, (Blackwell Companions to Literatureand Culture, 75), 2011, 665 pages.Introduction 1_Pamela K. GilbertPart I: Before Sensation, 1830–1860 111 "The Aristocracy and Upholstery": The SilverFork Novel : Ellen Miller Casey2 Newgate Novels : Edward Jacobs and ManuelaMourão3 "Literature of the Kitchen": Cheap SerialFiction of the 1840s and 1850s : Andrew King4 Melodrama : Rohan McWilliam5 Sensation Theater : Heidi J. Holder6 Gothic : Patrick R. O'Malley7 Realism and Sensation Fiction : Daniel Brown8 Poetry and Sensation : Kirstie BlairPart II: Reading Individual Authors and Texts,1860–18809 Mary Elizabeth Braddon : Lyn Pykett10 Lady Audley's Secret: How Does She Do It?Sensation Fiction's Technologically MindedVillainesses :_Louise Lee11 "Going in a little for the subjective": Textualand Moral Performance in The Doctor's Wife:_Richard Nemesvari12 Mary Elizabeth Braddon's Aurora Floyd : AmyJ. Robinson13 Mary Elizabeth Braddon's Joshua Haggard'sDaughter : Anne-Marie Beller14 Wilkie Collins and Risk : Daniel Martin15 The Woman in White and the New Sensation :Elizabeth Langland16 Opium, Alcohol, and Tobacco: TheSubstances of Memory in The Moonstone : SusanZieger17 Ouida : Jane Jordan18 Under Two Flags : Natalie Schroeder and Ronald A.Schroeder19 Ellen (Mrs. Henry) Wood : Andrew Mangham20 Mrs. Henry Wood, East Lynne : Marlene Tromp21 Sheridan Le Fanu : Anna Maria Jones22 Rhoda Broughton : Tamar Heller23 Charles Reade : Tom Bragg24 Ideologically Challenging: Florence Marryatand Sensation Fiction : Greta Depledge25 Edmund Hodgson Yates : Andrew Radford26 Sensational Variations on the DomesticRomance: Charlotte M. Brame and Mary CecilHay in the Family Herald _Graham Law27 Amelia B. Edwards : Anne-Marie Beller28 Dora Russell : Janice M. Allan29 Short Fiction : Brittany RobertsPart III: Topics in Scholarship30 Critical Responses to Sensation : DeborahWynne31 Gender and Sensation : Emily Allen32 Queer Sensation : Ross G. Forman33 Class and Race in Sensation Fiction : Patrick

Brantlinger34 The Empire and Sensation : Lillian Nayder35 Sensation Fiction and Religion : Mark Knight36 Sensation and Science : Susan David Bernstein37 Medicine and Sensation : Meegan Kennedy38 Disability in Victorian Sensation Fiction :Martha Stoddard Holmes and Mark Mossman39 The Law and Sensation : Jane Jordan40 Sensation and Detection : Heather Milton41 "Come Buy, Come Buy": Sensation Fictionin the Context of Consumer and CommodityCulture 528_Kimberly Harrison42 Sensation and Illustration : Mary ElizabethLeighton and Lisa Surridge43 The Pre-Raphaelite Realism of the SensationNovel _Sophia AndresPart IV: After Sensation: Legacies44 The Legacy of Sensation Fiction: BodilyPower in the New Woman Novel : Molly Youngkin45 Corelli's Religious Trilogy: Barabbas, TheSorrows of Satan, and The Master-Christian _R. BrandonKershner46 Realism after Sensation: Meredith, Hardy,Gissing : Tabitha Sparks47 Aestheticism and Sensation : Talia Schaffer48 Neo-Victorian and Pastiche : Grace Moore

GANNIER, Odile, Le Roman maritime :émergence d’un genre en Occident, Paris,PUPS, (Imago mundi), 2011, 611 pages.Le roman maritime, qui retrace ces aventures,semble marginal dans l’histoire de la créationlittéraire. Pourtant, que de domaines il touche :pirates et corsaires, grands capitaines ou petitsmousses, explorateurs et caboteurs, pêcheurset trafiquants, tous se croisent dans desépopées, de grandes expéditions, desaventures interlopes… Le succès éditorial, sil’on considère sa montée en puissance etl’affirmation progressive d’un genre en tant quetel, depuis le xviiie siècle mais essentiellementaux XIXe et XXe siècles, prouve que le romanmaritime rencontre au fil du temps un publicfidèle, passionné et toujours demandeur.

HALL, James W., Hit Lit : Cracking the Codeof the Twentietch Century’s Best Sellers,New York, Random House Trade Paperbacks,2012, 320 pages. (parution avril 2012).JONES, William B., Classics Illustrated : ACultural History, Jefferson (NC), McFarland,2011, 409 pages. [2ème édition augmentéed’une centaine de pages]PETRACCA, Michael & Madeleine SORAPURE(eds.), Reading Popular Culture, Boston &London, Prentice Hall, 2011, xvi, 386 pages.SPURGEON, Sara (ed.), Cormac Mc Carthy,London, Continuum, (Continuum Studies inContem. North Am. Fiction), 2011, 214 pages.

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A SIGNALER

MOLLIER, Jean-Yves & Matthieu LETOURNEUX,La Librarie Tallandier. Histoire d’unegrande Maison d’édition populaire (1870-2000), Paris, Nouveau Monde Éditions, 2011,450 pages.Les auteurs dressent ici le portrait fouillé etnuancé d'une maison représentative desmutations de l'édition au xixe et au xxe siècle.Ils analysent la construction et l'évolution del'identité de la Librairie Tallandier, s'adaptant àchaque époque au contexte mouvant del'édition populaire. À l'origine du « Livre depoche » (en 1915) et pionnière dans lapublication de bandes dessinées (avecBenjamin Rabier), Tallandier est aussi reconnuepour des collections comme « Le Livre National» (bleu et rouge) et ses romans d'aventures ousentimentaux. Louis Boussenard, MichelZévaco, Delly et Magali ont été quelques-unsde ses auteurs vedettes avant que leshistoriens ne prennent le relais.

A SIGNALER

SAINT-GELAIS, Richard, Fictions transfuges.La transfictionnalité et ses enjeux, Paris,Éditions du Seuil, (Poétique), 2011, 608 pages.Quelle sorte d’enfance Sherlock Holmes a-t-ileue ? Que devient vraiment Blanche Neigeaprès son mariage avec le Prince Charmant ?Que se seraient dit Charles Bovary et M. deRênal si leurs chemins s’étaient croisés ? Cesquestions, il arrive que des écrivains s’essaientà y répondre dans des œuvres qui donnent unsupplément d’existence à des personnages ?les leurs ou ceux des autres. C’est à cetteprat ique, qu’on propose d’appelert ransf ic t ionnal i té , que cet ouvrage estconsacré. S’il s’interroge sur son étendue, s’ilen répertorie les formes et les ramifications,c’est, chaque fois, pour examiner les enjeuxd’un phénomène qui a quelque chose deproliférant.

SUTLIFF SANDERS, Joe, Disciplining Girls :Understanding the Origins of the ClassicOrphan Girl Story, Baltimore, The JohnsHopkins University Press, 2011, 240 pages.The wide, wide world and the rules ofsentimental engagement -- The hidden handand momentary individualism -- Eight cousinsand what girls are made for -- Rebecca ofSunnybrook Farm and the threat of affectivediscipline -- A little princess and the accidentalpower of stories -- Anne of Green Gables andthe return of affective discipline -- The SecretGarden and the rajah’s master -- Pollyanna and

anxious individualism -- Emily of New Moonand the private girl -- Spinning sympathy --Girls’ novels and the end of mothering --Conclusion: affection, manipulations, pleasure,abuse.

CURIOSA OUAUTANT EN EMPORTE LE VENT

HURTAUT, Pierre-Thomas-Nicolas, L’Art depéter, Paris, Payot, (Petite bibliothèque Payot),2011, 110 pages.Sans doute dédié à Prroussst, cet essai théori-physique et méthodique est à l’usage despersonnes constipées, des individus graves etaustères, des dames mélancoliques et de tousceux qui restent esclaves du préjugé.L’auteur avécu de 1719 à 1791.

A signaler :Le portail de l’Association Internationaledes Chercheurs en Littératures Populaireset Cultures Médiatiques :

http://www.flsh.unilim.fr/lpcm/

CINÉMA & TÉLÉVISION

AHL, Nils C. & Benjamin FAU (dir.), Diction-naire des séries télévisées, Paris, ÉditionsPierre Rey, 2011, 1042 pages.ANDERSON, Tonya, 24, Lost and Six FeetUnder : Post-Traumatic Television in thePost 9/11 Era, Proquest, Umi DissertationPublishing, 2011, 142 pages.BALDUCCI, Anthony, The Funny Parts : AHistory of Film Comedy Routines andGags, Jefferson (NC), McFarland, 2011, 314pages.BALSER, Erin & Suzanne GARDNER, Glee : lessecrets d’une série culte, Champs-sur-Marne, Original Books, 2011, 299 pages.Édition française de Don’t Stop Believin’ :The Unofficial Guide to Glee.BELJULI BROWN, Lisa, Body Parts on PlanetSlum : Women and Telenovelas in Brazil,London, Anthem Press, (Key Issues in ModernSociology), 2011, 182 pages.BLANCHET, Robert (dir.), Serielle Formen :von den frühen Film-Serials zu aktuellenQuality TV und Online Serien, Marburg,Schüren, (Zürcher Filmstudies), 2011, 448pages.BOLLER, Reiner & Christina BÖHME, LexBarker : die illustrierte Biographie : der

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Bildband zum legendären Star, Berlin,Schwarzkopf & Schwarkopf, 2011, 500 pages.BOUTANG, Adrienne & Célia SAUVAGE, LesTeen Movies, Paris, J. Vrin, (Philosophie etcinéma), 2011, 135 pages.

BRIZIO-SKOV, Flavia (ed.), Popular ItalianCinema : Culture and Politics in a PostwarSociety, London, Tauris Academic Studies,2011, 320 pages.With its monsters, vampires and cowboys,Italian popular culture in the postwar periodhas generally been dismissed as a form ofevasion or escapism. Here, four internationalscholars re-examine and reinterpret the era toshow that popular Italian cinema was not onlyin tune with contemporary political and socialtrends, it also presaged the turmoil andrebellion of the 1960s and 1970s. Theiranalysis of peplum (or 'sword and sandal')films, horror films, spaghetti westerns andcomedy Italian-style shows how genre cinemareflected the changes wrought bymodernization, urbanization, consumeristculture and the sexual revolution. With strikinginsights into the links between popular cultureand politics, this book will be indispensable forspecialists in film and media studies, Italianand cultural studies, as well as social history.

BUIONI, Franck, Absolute Directors : rock,cinéma, contre-culture, (tome 1), Rosières-en Haye, Camion blanc, (Camion noir), 2011,615 pages.

CANJELS, Rudmer, Distributing Silent FilmSerials : Local Practices, Changing Forms,Cultural Transformation, New York, Rout-ledge, 2011, xxii, 261 pages.Tracing the international consumption,distribution, and cultural importance of silentfilm serials in the 1910s and 1920s, Canjelsprovides an exciting new understanding of thecultural dimension and the culturaltransformation and circulation of media forms.Specifically, he demonstrates that the serialfilm form goes far beyond the well-knownAmerican two-reel serial—the cliffhanger.Throughout the book, Canjels focuses on thebiggest producers of serials, America, France,and Germany, while imported serials, such asthose in the Netherlands, are also examined.This research offers new views on the serialwork of well known directors as D.W. Griffith,Abel Gance, Erich von Stroheim, and FritzLang, while foregrounding the importance oflesser known directors such as Louis Feuilladeor Joe May.

CASCIO, Ted V. & Leonard M. MALTIN(eds.),House and Psychology : Humanity isOverrated, Hoboken (NJ), Wiley, 2011, 336pages. [Recueil d’articles]COLT, Henri, Silvia QUADRELL & Lester D.FRIEDMAN (eds.), The Picture of Health :Medical Ethics and the Movies, New York,Oxford University Press, 2011, xxx, 527 pages.CYPHERS, Eric, Sex and the City 2 : TheStories, The Fashion, The Adventure,Philadelphia (PA), Running Press Books, 2010,176 pages.

DALE, Timothy M. & Joseph J. FOY (eds.),Homer Simpson Marches on Washington :Dissent Through American PopularCulture, Lexington (KY), The University Pressof Kentucky, 2010, xi, 306 pages.To investigate the full spectrum of popularculture in a democratic society, editors TimothyM. Dale and Joseph J. Foy gather a top-notchteam of scholars who use television shows suchas Star Trek, The X-Files, All in the Family, TheView, The Daily Show with Jon Stewart, andThe Colbert Report, as well as movies andpopular music, to investigate contemporaryissues in American popular culture.

DELUCHEY, Guy, Ich, Tarzan : wie erwurde, was er ist, München, Knesebeck,2011, 288 pages.1912 erfand Edgar Rice Burroughs mit Tarzaneine legendäre Figur: einen Jungen, der imDschungel bei den Affen aufwächst, sich alsErwachsener überlegen den Gefahren desUrwaldes, der Menschenwelt und der Liebestellt. Diese Geschichte vom edlen Wilden, dieEdgar Rice Burroughs in beinahe 30 Romanenerzählte, war ein riesiger internationaler Erfolg.1918 erstmals verfilmt, wurde sie 43 Mal fürsKino adaptiert, mit 21 verschiedenenTarzandarstellern, darunter so legendäre wieJohnny Weissmuller, Lex Barker, Gorden Scottoder Christopher Lambert.Es entstanden 57TV-Serien, Zeichen-trickversionen, über 12.000verschiedene Comics und Bilderbücher,Musical-Umsetzungen, Action-Figuren, Compu-terspiele und sogar Kunstwerke. Doch all dassind nur Details und Zahlen der unglaublichenMacht, mit der sich Tarzan in unser kulturellesGedächtnis eingebrannt hat. Ich, Tarzan erzähltin 18 reich illustrierten Kapiteln von den großenVerfilmungen und ihren Tarzandarstellern,ergänzt von Übersichten zu den verschiedenenweiteren Adaptionen. Dieser Band enthüllterstmals die wirklich spannenden Storys hinterder Kultfigur!

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DEVLIN, William J. & BIDERMAN, Shai (eds.),The Philosophy of David Lynch, Lexington(KY), The University Press of Kentucky, (ThePhilosophy of Popular Culture), 2011, vii, 248pages.DUNHAM, Brent (ed.), James Cameron :Interviews, Jackson (Miss.), University Pressof Mississippi, (Conversations with Filmma-kers), 2011, 240 pages.EDWARDS, Elizabeth, I Love Lucy : ACelebration of All Things Lucy : Inside theWorld of Television’s First Great Sitcom,Philadelphia (PA), Running Press BookPublishers, 2011, 256 pages.FORD, Peter, Glenn Ford : A Life, Madison(WI), University of Wisconsin Press, (WisconsinFilm Studies), 2011, x, 345 pages.GARTHAUS, Sandra, Frauenbilder imFernsehen anhand verschiedener Kritikerzu der Serie Sex and the City, München,Grin Verlag, 2011, 52 pages.GRINDON, Leger, The Hollywood RomanticComedy : Conventions, History andControversies, Malden, Wiley-Blackwell, (NewApproaches to Film Genres), 2011, 232 pages.HOHMANN, Tobias, Terence Hill – BudSpencer Chronicles : zwei Himmelhundemit vier Fäusten, Nürnberg, MPW Verlag,2011, 600 pages.

KAPPELL, Matthew Wilhelm & StephenMCVEIGH (eds), The Films of JamesCameron : Critical Essays, Jefferson (NC),McFarland, 2011, 239 pages.Acknow ledgmen t s ix_In t roduc t ion:Persistence of Visions—Approaching the Filmsof James Cameron_STEPHEN MCVEIGH ANDMATTHEW WILHELM KAPELL 1_SurveyingJames Cameron’s Reluctant Polit icalCommentaries: 1984–2009 STEPHEN MCVEIGHAND MATTHEW WILHELM KAPELL 15_Fighting the History Wars on the BigScreen: From The Terminator to Avatar_ACE G.PILKINGTON 44_“She’s a goddamn liar”:Perspectives on the Truth in Al iens andTitanic_ANDREW B. R. ELLIOTT 72_Art,Image and Spectacle in High ConceptCinema_BRUCE ISAACS 90_“You have tolook with better eyes than that”: A Filmmaker’sAmbivalence to Technology_ELIZABETHROSEN 109_“So, what’s your story?”Morphing Myths and Feminizing Archetypesfrom The Terminator to A v a t a r _ D E A NCONRAD 124_Between Aliens and Avatar:Mapping the Shifting Terrain of the Struggle forWomen’s Rights_ELISA NARMINIO ANDMATTHEW WILHELM KAPELL 146_Terminators, Aliens, and Avatars: TheEmergence of Archetypal Homosexual Themes

in a Filmmaker’s Imagination _ROGERKAUFMAN 167 _“I see you”: ColonialNarratives and the Act of Seeing inAva ta r_JOHN JAMES AND TOM UE 186_Gonzalo Guerrero and the MayaResistance to the Spanish Conquistadors: ASixteenth Century “Avatar” of Avatar_C. SCOTTLITTLETON 200__ Conclusion: Seeing theFilms of James Cameron Mythically_MATTHEWWILHELM KAPELL AND STEPHEN MCVEIGH

KAROL, Michael, Lucy A to Z : The LucilleBall Encyclopedia, New York, IUniverse Inc.,2011, 451 pages.McGEE, Patrick, Bad History and the Logicsof Blockbuster Cinema : Titanic, Gangs ofNew York, Australia, Inglorious Basterds,New York, Palgrave Macmillan, 2010, 224pages.McNULTY, Thomas, Errol Flynn : The Life andthe Career, Jefferson (NC), McFarland, 2011,381 pages.METZ, Walter C., Gilligan’s Island, Detroit,Wayne State University, (TV Milestones), 2010,144 pages.MONNIER, Claude, John McTiernan, Paris,Bazaar & Co., (Ciné Bazaar), 2010, 168 pages.

MURPHY, Bernice M., Elizabeth McCARTHY &Darryl JONES (ed.), It Came from the1950s ! Popular Culture Anxieties, NewYork, Palgrave Macmillan, 2011, 284 pages.Introduction_'A-Bombs, B-Pictures and C-Cups'; D.J.Skal_'It's in the trees! It's coming!'Night of the Demon and the Decline and Fall ofthe British Empire; D.Jones_Mutants andMonsters; K.Newman_ 'Don't Dare See ItAlone!' The Fifties Hammer Invasion;W . K i n s e y _ Genre, Special Effects andAuthorship in the Critical Reception of ScienceFiction Film and Television during the 1950s;M.Jancovich & D.Johnston_Hammer's Dracula;C.Frayling_Fast Cars and Bullet Bras: TheImage of the Female Juvenile Delinquent in1950s America; E.McCarthy_'A Search for theFather-Image': Masculine Anxiety in RobertBloch's 1950s Fiction; K.Corstorphine_'Readingher Difficult Riddle': Shirley Jackson and late1950s' Anthropology; D.Downey_ 'At MyCooking I Feel It Looking': Food, DomesticFantasies and Consumer Anxiety in SylviaPlath's Writing; L.Piatti-Farnell_'All thatZombies Allow' Re-Imagining the Fifties in FarFrom Heaven and Fido; B.M.Murphy

O’BRIEN, Wayne, Studying Action-Adven-ture Cinema, Leighton Buzzard (UK), AuteurPublishing, 2011, 224 pages.

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PARRILL, William B., Ridley Scott : A CriticalFilmography, Jefferson (NC), McFarland,2011, 189 pages.PHILLIPS, Kristopher G., Jeremy WISNEWSKI(eds.), Arrested Development andPhilosophy : They’ve Made a HugeMistake, Malden, Wiley-Blackwell, (BlackwellPhilosophy and Pop Culture Series), 2011, 272pages. [recueil d’essais sur une série téléviséeculte : Arrested deveopment]PLUMEYER, Florian, Sadismus undÄsthetisierung : Folter as kultureller undfilmischer Exzess im Gegenwart Kino,Stuttgart, ibidem Verlag, 2011, 221 pages.RESCH, Susanne, Die bewegenden Spiel-filme Stanley Kubricks : Ablehnung,Protest, und Verbot versus Anerkennung,Einfluss und Kult : zur Rezeption vonPaths of Glory und A Clockwork Orange,München, Grin Verlag, 2011, 52 pages.RIVIÈRE, François, Voitures de rêves desséries britanniques, Draguignan, ÉditionsYris, (Télévision en série), 2011, 190 pages.SCHICKEL, Richard, Clint, Paris, Flammarion,2011, 290 pages.SOLOMON, Jon, The Complete ThreeStooges, London, Titan Books, 2011, 600pages.TADDEO, Julie Anne & Ken DVORAK, TheTube has Spoken : Reality TV and History,Lexington, University Press of Kentucky, (Filmand History), 2011, 288 pages. Préface deDeborah A. Carmichael.TAYLOR, Matt, Jaws : Memories fromMartha’s Vineyard, Chilmark (MA), Moonrisemedia, 2011, 296 pages. Préface de StevenSpielberg.TERRACE, Vincent, Encyclopedia ofTelevision Shows, 1925 through 2010,Jefferson (NC), McFarland, 2011, 1330 pages[deuxième édition augmentée]TONGUETTE, Peter, The Films of JamesBridges, Jefferson (NC), McFarland, 2011, 212pages.Originally arriving in Hollywood to pursue anacting career, James Bridges went on to writeand direct such popular films as The PaperChase, The China Syndrome and U rbanCowboy. This book tells the story of his life andcareer, helped by new interviews with friendsand collaborators; it also offers a detailedanalysis of each of Bridges’ eight feature films,including his lesser-known cult classicsSeptember 30, 1955 and Mike’s Murder.VACHON JOHNSON, Rita, Storytelling andthe Fear of Black Male Superheroes inAmerican Cinema, Proquest, UMI DissertationPublishing, 2011, 50 pages.

ÉCRITS SURL’IMAGINAIRE

SCIENCE-FICTIONFANTASTIQUE FANTASY

LITTÉRATURE

ATWOOD, Margaret, In Other Worlds :Science Fiction and the HumanImagination, New York, Doubleday, 2011,272 pages.Margaret Atwood lends her distinctive voiceand singular point of view to the genre in aseries of essays that brilliantly illuminates theessential truths about the modern world. Thisis an exploration of her relationship "sciencefiction,” a relationship that has been lifelong,stretching from her days as a child reader inthe 1940s, through her time as a graduatestudent at Harvard, where she worked on theVictorian ancestor of the form, and continuingas a writer and reviewer. Among those writersdiscussed are Marge Piercy, Rider Haggard,Ursula Le Guin, Ishiguro, Bryher, Huxley, andJonathan Swift.

BATTIS, Jes (ed.), Supernatural Youth : TheRise of the Teen Hero in Literature andPopular Culture, Lanham (MD), LexingtonBooks, 2011, 256 pages.Spiritual, not sexual: the plight of theadolescent human wizard in Diane Duane’sYoung wizards series / Alice Mills -- Magicallearning and loss: Hermione Granger and thefemale intellectual in Harry Potter / AlissaBurger -- Magic, adolescence, and education onTerry Pratchett’s Discworld / Gideon Haberkornand Verena Reinhardt -- Does the phrase’vampire slayer’ mean anything to you?: the

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discursive construction of the just womanwarrior trope in Joss Whedon’s Buffy, thevampire slayer tv series / David Nel -- WhyXander matters: the extraordinary ordinary inBuffy the vampire slayer / David Kociemba --Kinda gay: queer cult fandom and Willow’s(bi)sexuality in Buffy the vampire slayer /Jennifer Moorman -- Postfeminism in apostmodern landscape: navigating differenceon Veronica Mars / Cary Elza -- Bigger thingsto worry about: allusions and the Britishfantasy tradition in Hex / David Nel -- BeingHarvey Kinkel: the laws of the other realm inSabrina the teenage witch / Tiffany S. Teofilo --Closed minds: Tamora Pierce’s teenagers andthe problem of desire / Anastasia Salter --Nerds, geeks, and dorks, oh my!: the teenwizard as social outcast / R.C. Neighbors --Breaking the spell: power and choice in HollyBlack’s Valiant / Alison Ching -- Enrolling in thehidden school: Timothy Hunter and theeducation of the teenage comic book magus /Jason L Winslade.

A SIGNALER

BAUDOU, Jacques, L’Encyclopédie dufan tas t ique , Paris, Éditions Fetjaine,(Fantasy), 2011, 192 pages.Un panorama illustré, passionnant et érudit, dugenre littéraire le plus vieux du monde,puisqu'il remonte à la Bible. Vampires,fantômes, démons, cet album présente tous lesgenres du Fantastique et ses plus grandssuccès, au cinéma, à la télévision ou dans lalittérature.

BEAUCHESNE, Kim & Alessandra SANTOS(eds.), The Utopian Impulse in Latin Ame-rica, New York, Palgrave Macmillan, 2011, 320pages.Introduction: The Theory and Practice of theUtopian Impulse in Latin America; K.Beauchesne&A.Santos _PART I: FOUNDATIONAL UTOPIAS_Utopia in Latin America: Cartographies andParadigms; B.Pas tor _Barataria from thePerspective of Hispanic American 'Colonial'Studies: Contributions for a Reading of(Counter)Utopia in the Quijote and the NewWorld; J.Antonio Mazzotti _PART II: UTOPIA ANDMODERNITY _Remnants of a Dream World:Latin American Pavilions at the Paris 1889Universal Exhibition; A.Uslenghi _Ecocannibalism:The Greening of Antropofagia; O.Cisneros_Eulalia in Utopia: Urban Space, Modernity,and Gendered Typologies in Rubén Darío andHilda Hilst; J.Read _PART III: FEMINISTUTOPIAS _Southern Displacements in FloraTristán's Pérégrinations d'une paria; G.Heffes

_Revolution Interrupted: The 'Women of April'and the Utopia of National Liberation; W.Rivera-R i v e r a _PART IV: UTOPIA ANDCOUNTERCULTURE _Jorge Mautner andCountercultural Utopia in Brazil; C.Dunn _SpatialEffects: Navigating the City in Cildo Meireles'sArte Física: Caixas de Brasília/Clareira;E.Shtromberg _PART V: REVOLUTIONARYUTOPIAS AND THE POLITICS OF MEMORY_Dangerous Illusions and Shining Utopias:From Banditry to Party in Jorge Amado's SearaVermelha; J.Pablo Dabove _Utopia and the Politicsof Memory; D.Sorensen _The Innocent Eye:Children's Perspectives on the Utopias of theSeventies (O Ano em que Meus Pais Saíram deFérias, Machuca, and Kamchatka); R.De Grandis_PART VI: UTOPIA AND ETHNICITY IN THETWENTY-F IRST CENTURY _Urgen t(Anti)Spectacles of Critical Hope; C . M e l o_Recent Peruvian Quechua Poetry: BeyondAndean and Neoliberal Utopias; U.Juan Zevallos-Aguilar.

BERTETTI, Paolo, Conan il mito. Identita emetamorfosi di un personaggio seriale traletteratura, cinema e televisione, Pisa, ETS,(La Piazza Universale), 2011, 176 pages.Creato negli anni '30 dalla penna di RobertHoward e reso celebre dalle illustrazioni diFrank Frazetta e dalla muscolare interpre-tazione cinematografica di Arnold Scwarze-negger, Conan il Barbaro è certo il personaggiopiù noto ed amato dell'immaginario HeroicFantasy. Un eroe nato sulle pagine dei pulpdegli anni '30 e che, a partire dagli anni '60,diventa protagonista di alcune fortunate serie afumetti e di due film, ma anche di adattamentitelevisivi, cartoni animati, giochi di ruolo ecomputer game. Un vero personaggiotransmediale ante-litteram, un "mito d'oggi"oggetto in anni recenti di un rinnovatointeresse, che culmina ora nel nuovo filmdiretto da Marcus Nispel e interpretato daJason Momoa. Conan il mito analizza le origini,la storia e le metamorfosi del barbarico eroe,soffermandosi in particolare sui modi in cuil'identità del personaggio si sia andatacostruendo, e insieme diversificando,attraverso le sue diverse avventure nei varimedia.

BLECKWENN, Helga (dir.), Märchefiguren inder Literatur des Nord-und Ostseeraumes,Baltmannsweiler, Schneider Hohengehren,2011, ix, 284 pages.

BODARTS, Joni Richards, They Suck, TheyBite, They Eat, They Kill : The Psycho-logical Meaning of Supernatural Monsters

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in Young Adult Fiction, Lanham (MD), TheScarecrow Press, (Scarecrow Studies in YoungAdult Literature), 2011, 256 pages.Joni Bodart examines six different monsters—vampires, shapeshifters, zombies, unicorns,angels, and demons—in YA literature. Bodartfirst discusses the meaning of these monstersin cultures all over the world. Subsequentchapters explore their history and mostimportant incarnations, comparing the samekind of creatures featured in different titles.

BROOKE, Keith (ed.), Strange Divisions andAlien Territories : The Sub-Genres ofScience Fiction, New York, PalgraveMacmillan, 2011, 192 pages.Strange Divisions and Alien Territories exploresthe sub-genres of science fiction from theperspectives of a range of top SF authors.Combining a critical viewpoint with theexploration of the challenges and opportunitiesfacing authors workinginthe field, contributorsinclude Michael Swanwick, Catherine Asaro andPaul di Filippo.

CHRISTIE, Deborah & Sarah Juliet LAURO(eds.), Better Off Dead : The Evolution ofthe Zombie as Post-Human, Bronx (NY),Fordham University Press, 2011, 256 pages.Approaching the zombie from many differentpoints of view, the contributors look acrosshistory and across media. Though theyrepresent various theoretical perspectives, thewhole makes a cohesive argument: The zombiehas not just evolved within narratives; it hasevolved in a way that transforms narrative.This collection_announces a new post-zombie,even before the boundaries of this rich andmysterious myth have been completelycharted.

CLARK, Stephen R. L., Philosophical Futu-res, Frankfurt am Main, etc., Peter Lang,(Beyond Humanism : Trans-and Posthuma-nism), 2011, 247 pages.Philosophical speculation and science fiction areunited in this: what is now obvious is mostlikely to be false, or at best a transient mode ofbeing. In exploring future possibilities, theauthor introduces science fiction writers andcontemporary philosophers alike to the richesof their twin traditions.

CLUTE, John, Pardon this Intrusion :Fantastika in the World Storm, Harold Wood(Essex), Beccon Publications, 2011, 375 pages.Recueil de 47 essais + préface de l’auteur.

COLIN, Fabrice & Jérôme NOIREZ, Enquêtesur les loups-garous ,Paris, Éditions Fetjaine,(Fantasy), 128 pages.Une étude illustrée sur les loups-garous, lalycanthropie et autres phénomènes detransformation d'humains en animaux, depuisl'Antiquité jusqu'à nos jours. Une légendedurable, reposant sur quelques castroublants... Grâce aux archives de l'ISPM(Institut de surveillance des phénomènesmétanaturels), Fabrice Colin et Jérôme Noirezmènent l'enquête à travers le monde, desdéserts de l'Arizona aux forêts d'Europe del'Est, et exposent, documents à l'appui, unethéorie aussi inédite qu'effrayante sur lavéritable nature des loups-garous.

DINTER, Astrid & Kerstin SÖDERBLOM (dir.),Vom Logos zum Mythos : Herr der Ringeund Harry Potter als zentraleGrunderzählungen des 21 Jahrhunderts.Praktisch-theologische und religionsdidak-tische Analysen, Berlin-Münster, Lit Verlag,2011, 323 pages.Nach der Jahrtausendwende zeichnet sichdeutlich eine Rückkehr der Religion ab.Allerdings sind dabei Ablösungs- und Transfor-mationsprozesse von traditionell geprägtenReligionsformen zu erkennen. Gerade fiktiveGroßerzählungen wie "Herr der Ringe" bzw."Harry Potter" spielen innerhalb derangedeuteten Transformationsprozesse vontraditionell geprägten Religionsformen eineentscheidende Rolle. Der vorliegende Bandanalysiert die angedeuteten Transformation-sprozesse von Religion. Ausgehend von derTheorieentwicklung wird dann entsprechendesDidaktikmaterial dargelegt.

ECKHARD, Petra, Chronotopes of theUncanny : Time and Space in postmordernNew York Novels ; Paul Auster’s City ofGlass and Toni Morrison’s Jazz, Bielefeld,transcript Verlag, 2011, 205 pages.

GAMERRA, Carlos, Ficciones barrocas : unalectura de Borges, Bioy Casares, SilvanaOcampo, Cortazar, Onetti y FelisbertoHernandez, Buenos Aires, Eterna CadenciaEditora, 2010, 216 pages.

GEPPERT, Alexander C. T. (ed.), ImaginingOuter Space : European Astroculture in theTwentieth Century, New York, PalgraveMacmillan, 2011, 440 pages.Introduction_European Astrofuturism, CosmicProvincialism Historicizing the Space Age;A.C.T.Geppert_PART I: NARRATING OUTER SPACE_Space,

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Time and Aliens:The Role of Imagination inOuter Space; S.J.Dick_Heaven on Earth:Tunguska, 30 June 1908; C.Schmölders_Imagining Inorganic Life: Crystalline Aliens inScience and Fiction; T.Brandstetter _PART II: PROJECTING OUTER SPACE_ProjectingLandscapes of the Human Mind onto AnotherWorld: Changing Faces of an Imaginary Mars;R.Eisfeld_'Smash the Myth of the FascistRocket Baron': East German Attacks onWernher von Braun in the 1960s;M.J.Neufeld_Transcendence of Gravity: ArthurC. Clarke and the Apocalypse of Weightless-ness: T.Bjørnvig_PART III: VISUALIZING OUTER SPACE _PerMedia Ad Astra?: Outer Space in WestGermany's Media, 1957-87; B.Mütter_Balloonson the Moon: Visions of Space Travel inFrancophone Comic Strips; G.de Syon_'AStumble in the Dark': Contextualizing Gerryand Sylvia Anderson's Space: 1999; H.Keazor_PART IV: ENCOUNTERING OUTER SPACE_Galaxies of Alien Discourse: An Anthropologist'sFirst Contact with the Science of 'Weird Life';D.Battaglia_A Ghost in the Machine: HowSociology Tried to Explain (Away) AmericanFlying Saucers and European Ghost Rockets,1946-47; P.Lagrange_Seeing the Future ofCivilization in the Skies of Quarouble: UFOEncounters and the Problem of Empire inPostwar France; J.Miller_PART V: INSCRIBING OUTER SPACE_Self-Reproducing Automata and the Impossibility ofSETI; G.Munévar_ Inscribing ScientificKnowledge: Interstellar Communication,NASA's Pioneer Plaque, and Contact withCultures of the Imagination, 1971-72;W.R.Macauley_Alien Spotting: Damien Hirst'sBeagle 2, Mars Lander'S Calibration Target andthe Exploitat ion of Outer Space;T.Weddigen_Epilogue_Look Up: Art in the Ageof Orbitization; P.Pocock

GIACOMO, Jacqueline de, « G o t h i cTwilight » : zeitgenössische Gothic HorrorFiction als Texte einer Epochenschwelle,Trier, WVT Wissenschaftlicher Verlag Trier,(Beiträge zur Anglistik), 2011, 296 pages.

GIL-CURIEL, German, A ComparativeApproach : The Early European Super-natural Tale : Five Variations on a Theme,Frankfurt am Main, etc, Peter Lang,(Europäische Hochschulschriften, vol. 131),2011, 201 pages.Contents: Walter Scott - James Hogg -Théophile Gautier - Charles Nodier - Gérard DeNerval - E. T. A. Hoffmann - SupernaturalLiterature - Nineteenth Century - Europe -

Scotland - France - Romanticism - Fantastic -Gothic - Tales - Short Stories - Nouvelles -Translation - Cross-Fertilisation - Imagination -Inner Self - Dreams - Oneiric - Reverie -Nightmare - Delirium Tremens - Eroticism -Death - Afterlife - Seer - Outcast - Visionary -Dreamer - Ghost - Spectre - Revenant - Witch -Elf - Goblin.

GLASER, Horst Albert & Sabine ROSSBACH,The Artificial Human : A Tragic History,Frankfurt am Main, etc., Peter Lang, 2011, 258pages.Contents: Mythological origins - History ofandroids, cyborgs and replicants - Descartes,Leibniz, LaMettrie and the man-machinediscussion - Dissecting corpses, prosthetics andxeno-transplantation - Clones, military robots,and artificial women - Artificial intelligenceresearch and its critics - The social backgroundand development of the machine age - Filmhistory (Frankenstein, Metropolis, Blade Runneretc.)

GRANDE, Jasmin, Nussschalen der Wissen-schaft : Aspekte des Phantastik-Diskurses,Essen, Klartext-Verlagsgesellschaft, 2011, 300pages.

GRIMES, Hilary, The Late Victorian Gothic :Mental Science, The Uncanny and Scenesof Writing, Farnham (UK), Ashgate, 2011, 190pages.Treating a wide range of authors - HenryJames, Rudyard Kipling, Arthur Conan Doyle,George Du Maurier, Vernon Lee, Mary LouisaMolesworth, Sarah Grand, and George Paston -Grimes shows how fin-de-siècle worksnegotiate themes associated with the Victorianand Modernist periods such as psychicalresearch, mass marketing, and newtechnologies. With particular attention to textsthat are not placed within the Gothic genre, butwhich nevertheless conceal Gothic themes, TheLate Victorian Gothic demonstrates that theend of the nineteenth century produced aGothicism specific to the period.

HYMAN, Wendy Beth (ed.), The Automatonin English Renaissance Literature, Farnham(UK), Ashgate, 2011, 224 pages.Contents: Introduction, Wendy Beth Hyman;Part 1 Creations, Creatures, and Origins:Descartes avec Milton: the automata in thegarden, Scott Maisano; 'To me comes acreature': recognition, agency, and theproperties of character in Shakespeare's TheWinter's Tale, Justin Kolb; Antique myth, earlymodern mechanism: the secret history of

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Spenser's Iron Man, Lynsey McCulloch. Part 2Motion: Orpheus and the poetic animation ofthe natural world, Leah Knight; The mechanicalsaint: early modern devotion and the languageof automation, Brooke Conti; Arrow, acrobat,and phoenix: on sense and motion in Englishcivic pageantry, Michael Witmore. Part 3Performance and Deception: 'More than art':clockwork automata, the extemporizing actor,and the Brazen Head in Friar Bacon and FriarBungay, Todd Andrew Borlik; 'Mathematicalexperiments of long silver pipes'; the earlymodern figure of the mechanical bird, WendyBeth Hyman; Desire, nature, and automata inthe bower of bliss, Nick Davis;

HAY, Simon John, A History of the ModernBritish Ghost Story, New York, Palgrave,Macmillan, 2011, vi, 253 pages.Introduction: Even the Dead Will Not Be Safe_AFailed Modernity: The Ghost Story as the BadConscience of the Historical Novel _Fragmentand Totality: The Ghost Story and EarlyVictorian Realism_Supernatural Naturalism:The Golden Age of the Ghost Story_Ghosts thata White Man Can See: The Ghost Story andEmpire_'I had not Thought Death had Undoneso Many': Modernism and the Ghost_The GhostStory and Magic Realism_Conclusion: Ghostsand History.

JAMES, Edward & Farah MENDELSOHN (eds.),The Cambridge Companion to FantasyLiterature, Cambridge & New York, CambridgeUniversity Press, 2012, 330 pages.

A SIGNALER

JANELLE, Claude, Le DALIAF : dictionnairedes auteurs des littératures del’imaginaire en Amérique française, Lévis,Éditions Alire, 2011, 535 pages.

Tous les auteurs qui, de 1835 à 2008 ont fait larichesse des littératures de l’imaginaired’expression française en Amérique. Trente ansde recherches. Livre grand format couverturecaisse, de 535 pages en quadrichromie. Voir lesite : www.alire.com

JONES, David, Gothic Machine, Cardiff,University of Wales Press, (Gothic LiteraryStudies, 2011, 250 pages.This book reveals some of the exciting inter-relations between Gothic Horror literature, film

and magic lantern shows. It is an innovativework, providing new insights into how GothicHorror as a whole started, with the genesis ofthe Frankenstein films, and encourages thereader to think of the relations between suchbooks and films as one vibrant set of energies.

KAPLAN, Arie, Dracula : The Life of Vlad theI m p a l e r , New York, Rosen Central,(Vampires), 2011, 64 pages. Pour ados.KIDD, Kenneth B., Freud in Oz : At TheIntersections of Psychoanalysis andChildren’s Literature, Minneapolis, Universityof Minnesota Press, 2011, 336 pages.

KLAPCSIK, Sandor, Liminality in FantasticFiction : A Poststructuralist Approach,Jefferson (NC), McFarland, 2012, 212 pages.The text investigates the liminality in AgathaChristie’s detective fiction, Neil Gaiman’sfantasy stories, and Stanislaw Lem’s and PhilipK. Dick’s science fiction. Through anexamination of destabilized norms, thisanalysis demonstrates that liminality is a keyelement in the changing trends of fantastictexts.

LANGER, Jessica, Postcolonialism andScience Fiction, New York, PalgraveMacmillan, 2011, 208 pages.Postcolonialism and Science Fiction exploresintersections and interactions between thegenre of science fiction and the theory andpractice of postcolonialism, concentratingprimarily on contemporary science fiction fromthe 1950s to the present day. The book arguesthat several of the foundational myths ofscience fiction – the 'other', or the stranger,and the strange and foreign land – are sharedat the heart of colonialism, and thatpostcolonial science fiction has developedunique and creative ways of overcoming anddispelling these myths.

LARSON, Eric D., Gothic Fiction and TheBritish Adventure Novel : The Mechanismof Fear within Imperial Discourse,Proquest, UMI Dissertation Publishing, 2011,106 pages.LAUPER, Anja, Die « phantastischeSeuche » : Episoden des Vampirismus im18. Jahrhundert, Zürich, Diaphanes, 2011,218 pages.LEMKE, Christiane, Phantasmen des Infan-tilen aus Skandinavien : umheilicheSpiegelungen, Masken und Metamorpho-sen in Märchen und Schauphantastik,Stuttgart, ibidem Verlag, 2011, ix, 358 pages.

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LEISS, Judith, Inszenierung des Wider-streits : die Heterotopie als postmoder-nistisches Subgenre der Utopie, Bielefeld,Aisthesis Verlag, 2010, 297 pages.

A SIGNALER

MARIGNY, Jean, Vampires : de la réalité aumythe, Paris, Éditions de la Martinière, 2011,192 pages.Quand les vampires sont-ils apparus dansl'imaginaire collectif ? A quelles peurs et àquelles croyances font-ils écho ? Commentl'image de ce personnage a-t-elle évolué ? Celivre se propose de répondre à toutes cesquestions en remontant aux sources de notrefascination pour le mythe du vampire, de lalégende des premiers temps - alimentée par latradition chrétienne - aux différentesexpressions artistiques (littérature, cinéma,arts graphiques). Le succès de la série TrueBlood et de la saga Twilight montre que lemythe est toujours vivace aujourd'hui. Ellesmettent en scène des héritiers plus ou moinsfidèles du héros de Bram Stoker.

McCRACKEN-FLESHER, Caroline (ed.),Scotland as Science Fiction, Lanham, Md. :Bucknell University Press, co-published withthe Rowman & Littlefield Pub. Group, 2011,179 pages.Scotland’s fantastic physics: energytransformation in MacDonald, Stevenson,Barrie, and Spark / Cairns Craig -- The otherotherworld: didactic fantasy from MacDonaldand Lindsay to J. Leslie Mitchell / J. DerrickMcClure -- Allegory and cruelty: Gray’s Lanarkand Lindsay’s A voyage to Arcturus / IanDuncan -- Speculative nationality: ’StandsScotland where it did?’ in the Culture of Iain M.Banks / John Garrison -- Betweenenlightenment and the end of history: KenMacLeod’s Engines of light / Gavin Miller -- Thecosmic (cosmo)polis in Naomi Mitchison’sscience fiction novels / Carla Sassi -- Non-violence, gender, and ecology: MargaretElphinstone’s The incomer and A sparrow’sflight / Alison Phipps -- Past and futurelanguage: Matthew Fitt and Iain M. Banks /John Corbett -- Scottish poetry as sciencefiction: Geddes, MacDiarmid, and Morgan’s ’Ahome in space’ / Alan Riach -- Brave newScotland: science fiction without stereotypes inFitt and Crumey / Lisa Harrison -- Alba Newtonand Alasdair Gray / Matthew Wickman.

METZ, Markus & Georg SEESSLEN, WirUntote. Über Posthumane, Zombies,Botox-Monster und andere über

–Unterlebensformen in Life Science & PulpFiction, Berlin, Matthes & Seitz Verlag, 2011,224 pages.NELL, Werner (illustrations de Steffen Hendell),Atlas der fiktive Orten : Utopia, Camelotund Mittelerde. Eine Entdeckungsreise zuerfundenen Schauplätze, Mannheim,Bibliographisches Institut, 2011, 160 pages.PICCIONE, Marie-Lyne & Bernadette RIGAL-CELLARD (dir.), Les Aléas de l’utopie cana-dienne : figures et représentations dans lalittérature et le cinéma, Pessac, PressesUniversitaires de Bordeaux, (Gulf Stream),2010, 234 pages.

PIOFFET, Marie-Christine (dir.), Dictionnaireanalytique des toponymes imaginairesdans la littérature narrative de languefrançaise, 1605-1711, Québec, Éditions duCIERL/Les Presses de l’Université Laval, (LesCollections de la République des lettres), 2011,626 pages. Avec la collaboration de Marie-LiseLaquerre et de Daniel Maher.Le XVIIe siècle donne naissance à uneprolifération de lieux imaginaires. Denombreuses cartes allégoriques, utopies etdystopies y voient le jour. Mais les romans, lescontes de fées, les pamphlets, les chroniquesmondaines et même les récits de voyagesn’échappent pas à cette vogue, à tel pointqu’on peut appréhender la topographie fictivecomme un mode d’expression privilégié duGrand Siècle.

POOLE, Scott W., Monsters in America : OurHistorical Obsession with the Hideous andthe Haunting, Waco (TX), Baylor UniversityPress, 2011, 290 pages.Preface : with a warning to the unsuspectingreader -- Introduction : the bloody chords ofmemory -- Monstrous beginnings -- GothAmericana -- Weird science -- Alien invasions -- Deviant bodies -- Haunted houses -- UndeadAmericans -- Epilogue : worse things waiting --Filmography -- Note on sources.

ROBINSON, Orrin W., Grimm Language :Grammar, Gender and Genuiness in theFairy Tales,Amsterdam, Benjamins, 2010,19pages.ROGERS, Stephen D., Dictionary of Made-Up Languages : from Elvish to Klingon–The Anwa, Reela, Ealray, Yeht (Real)Origins of Invented Lexicons, Avon (MA),Adams Media Corporation, 2011, 304 pages.RONDEAU, Catherine (dir.), Aux sources dumerveilleux, Montréal, Presses de l’Universitédu Québec, 2011, 150 pages. Sous-titré : uneexploration théorique de l’univers des contes.

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RONVEL, Aude, Le Loup-garou dans lalittérature contemporaine, Paris, ÉditionsPublibook, (collection EPU), 2011, 204 pages.Comment le personnage du loup-garous’illustre-t-il dans la littérature contemporaine ?Pour étudier la légende lycanthropique, troisromans : Cycle of the Werewolf (1983) deStephen King, L’Homme à l’envers (1999) deFred Vargas et Le Livre sacré du loup-garou(2004) de Viktor Pelevine. Un corpusdécortiqué à la faveur de thèmes tels que lelien unissant le loup-garou à ses jumeauxfictionnels que sont le vampire et le fantôme,mais aussi à ses nombreux avatars, comme latristement célèbre Bête du Gévaudan. Uneétude de l’espace-temps lycanthropiqueannonce, par la suite, l’étude des conditions devie du loup-garou : sa sexualité, sonappartenance religieuse ou encore sa psyché.Finalement, ce processus d’humanisation duloup-garou oriente l’analyse vers un portrait dulycanthrope comme incarnant le passage del’état de nature à celui de culture, unpersonnage à la fois marginal et exemplaire,appelant une réhabilitation du monstre.

SALER, Michael, As If : Modern Enchant-ment and the Literary Prehistory of VirtualReality, New York & Oxford, Oxford UniversityPress, 2011, 288 pages.From Lovecraft's Cthulhu Mythos and Tolkien'sMiddle-earth to the World of Warcraft andSecond Life, As If provides a cultural historythat reveals how we can remain enchanted butnot deluded in an age where fantasy and realityincreasingly intertwine.

SANDNER, David, Critical Discourse on theFantastic, 1712-1831, Farnham (UK),Ashgate, 2011, 200 pages.Challenging literary histories that locate theemergence of fantastic literature in the

Romantic period, David Sandner shows thattales of wonder and imagination wereextremely popular throughout the eighteenthcentury. Sandner engages contemporarycritical definitions and defenses of eighteenth-and early nineteenth-century fantasticliterature, demonstrating that a century ofdebate and experimentation preceded theRomantic's interest in the creative imagination.In "The Fairy Way of Writing", Joseph Addisonfirst defines the literary use of the supernaturalin a 'modern' and 'rational' age. Other writerslike Richard Hurd, James Beattie, SamuelJohnson, James Percy, and Walter Scottinfluence the shape of the fantastic by definingand describing the modern fantastic in relationto a fabulous and primitive past.

SANGSUE, Daniel, Fantômes, esprits etautres morts-vivants. Essai de pneuma-tologie littéraire, Paris, José Corti, (Lesessais), 2011, 636 pages.L’histoire de la sensibilité fantomatiqueproposée ici passe surtout par l’exploration destrèsnombreuses oeuvres littéraires inspiréespar les revenants : des nouvelles de Nodier,Nerval,Mérimée et Maupassant au théâtre deMadame de Girardin et Victorien Sardou, deSpirite deGautier au Fantôme de Bourget, desromans de Stendhal aux poèmes deBaudelaire, en passantpar les procès-verbauxdes tables parlantes hugoliennes et La Tabletournante de Champfleury,sans oublier UrsuleMirouët, Les Mille et un fantômes, Les Damesvertes et Le Château desCarpathes, c’est à unvaste parcours « hantologique » (Derrida) quele lecteur est convié. Parcoursqui montre lesaffinités profondes liant le monde de l’au-delà àl’écriture quand celle-ci est conçuecomme une« sorcellerie évocatoire ».

SAUREL, Damien, Les Enlumineurs decauchemars : l’action de Lucifer dans lalittérature, Avignon, Docteur angélique, 2011,275 pages.Les auteurs abordés sont : Hugo, Vigny, Papini,Bloy, De Quincey, Pagnol, Baudelaire,Apollinaire, Tieck, Beardsley, Jouhandeau,Sartre, Lautréamont, Rimbaud, Breton, Yeats,Machen et Lovecraft.SCALA, Mark W. (ed.), Fairy Tales,Monsters, and the Genetic Imagination,Nashville (Tenn.), Frist Center for the VisualArts, 2012, 160 pages.SCHAROLD, Imgard, Vom Wunderbarenzum Phantas(ma)tischen. Zur Archäologievormoderner Phantastik-Konzeptionen beiAriost und Tasso, München, Wilhelm FinkVerlag, 2011, 528 pages.

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SMITH, Robert (ed.), Braaaiiinnnsss ! :fromAcademics to Zombies, Ottawa, University ofOttawa Press, 2011, 376 pages.Introduction_-- Robert Smith? (University ofOttawa) _Fitting the Theory to the Facts_--John Seavey (fraggmented.blogspot.com)_What Feminism Has to Say About World WarZ_-- Jen Rinaldi (York University)_The ZombieThreat to Democracy_-- Adam Smith (BrandeisUniversity)_Classification and Causation ofZombification, and Guidelines for RiskReduction and Management _-- Tony Contento(Iowa State University)_Zombie Instructors: ACareer Made Flesh_-- Kate Small and RobertSmith? _Aim for the Head_-- Arnold T.Blumberg (University of Baltimore & Universityof Maryland Baltimore County)_CulturalNarratives of Blood_-- Marina Levina(University of Memphis)_Maintaining AcademicLibrary Services during the ZombieApocalypse_-- Sarah McHone-Chase and LynneM . T h o m a s ( N o r t h e r n I l l i n o i sUniversity)_Zombies on Broadway_-- AnthonyWilson_Reclaiming Public Spaces through thePerformance of the Zombie Walk_-- SashaCocarla (University of Ottawa)_A PreliminaryReport on the First Excavation Season atZombie Assault Site UK546, Newport, SouthWales_-- Mel issa Beatt ie (Card i f fUniversity)_Strategic Intelligence Analysis of aZombie Attack_-- Harris DeLeeuw _Evolution ofthe Modern Zombie_-- Philip Munz and PhilippeP. Vachon (Carleton University)_Dawn of theShopping Dead_-- Matt Bailey (MacquarieUniversity, Australia)_And the Dead Shall Walk,but How?_-- Anthony Tongen, Caitlin V.Johnson and Sean M. Francis (James MadisonUniversity)_Zombie Grrls on and off Screen_--Natasha Patterson (S imon FraserUniversity)_American History Z _-- DanielChanger_Zombies, Disability and the Law_--Julia Grugson-Wood (York University) _TheZombie Paradigm_-- Helen Kang (Simon FraserUniversity)_Diary of a Landscape Architect_--Lisa MacDonald

SÖZALAN, Özden, The AmericanNightmare : Don Delillo’s Falling Man andCormac McCarthy’s The Road, Bloomington,Author House, 2011, 132 pages.

STILES, Anne, Popular Fiction and BrainScience in the Late Nineteenth Century,Cambridge & New York, Cambridge UniversityPress, 2012, 256 pages.Introduction: cerebral localization and the lateVictorian Gothic romance; Part I.Reactionaries: 1. Robert Louis Stevenson'sJekyll and Hyde and the double brain; 2. Bram

Stoker's Dracula and cerebral automatism; PartII. Materialists: 3. Photographic memory in theworks of Grant Allen; Part III. Visionaries: 4. H.G. Wells and the evolution of the mad scientist;5. Marie Corelli and the neuron; Epilogue;Looking forward.

TIBBETTS, John C., The Gothic Imagination :Conversations on Fantasy, Horror andScience Fiction in the Media, New York,Palgrave Macmillan, 2011, 432 pages.Preface - Richard Holmes * Prefatory note -James Gunn * INTRODUCTION: VOICES HEARD'ROUND THE COSMIC CAMPFIRE * THELOVECRAFT CIRCLE * The Provocative Abyssesof Unplumbed Space: S.T. Joshi Explores theUniverse of H.P. Lovecraft * I AmProvidence: Henry Beckwith on H.P. Lovecraft *Psycho Is Not About a Shower Scene!: RobertBloch * From Providence to Liverpool: RamseyCampbell * Certain Things Associated with theNight: T.E.D. Klein * THE HEROIC AGE OFFANTASY AND SCIENCE FICTION * Robert E.Howard and The Whole Wide World: DanIreland * Batman and Me: Bob Kane * The ManWho Explained Miracles: John Dickson Carr *Superman is a Friend: Christopher Reeve *Wonder's Child: Jack Williamson * Ragnarokand Relativity: Poul Anderson * The Way theFuture Was: Frederik Pohl * I Tell PeopleStories: Wilson Tucker * The CompleteEnchanter: L. Sprague De Camp * THEBRADBURY CHRONICLES * The BradburyCollaborations * Stan and Ollie: Bradbury andRay Harryhausen * Joe and Me: Bradbury andJoseph Mugnaini * The Bradbury Circle (Friendsand Associates) * Let's Put on a Show!: JuliusSchwarz * Mister Monster: Forrest JAckerman * Dandelion Chronicles: William F.Nolan * The Repairman Cometh: F. Paul Wilson* A Bradbury Companion: Donn Albright* DESTINATION: MARS! * Back toBarsoom: Bob Zeuschner Talks about the MarsBooks of Edgar Rice Burroughs * This Is WhereWe Start Again: Kim Stanley Robinson * THEEXTRAVAGANT GAZE * A Subl imeMadness: Professors Albert Boime and TimMitchell Talk about Goya, Géricault, andCaspar David Friedrich * Scenes fromChildhood * Album for the Young: MauriceSendak * There's a Lot of Reality to TheseFantasies: Charles Sturridge and Fairy Tale* The Mysteries of Chris Van Allsburg * GahanWilson's Diner * MUSIC OF THE SPHERES *Symphonie fantastique: Professor Jack SullivanTalks about Berlioz, Schumann, Liszt, andOthers * POSTMODERN GOTHIC * The NightRide of Charles Beaumont * We Walk Your Dogat Night!: Stephen King * The Kiss That

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Bites: Susie McKee Charnas * A Magellan of theInterior: Peter Straub * The Billion YearSpree: Brian Aldiss * Savage Pastimes: GothicSchlock and Grindhouse Horrors * DifferentEngines: Steampunk * WHERE NO MAN HASGONE BEFORE...: TOM CORBETT, SPACECADET, AND STAR TREK * Frankie Thomas onTom Corbett and the Early Days of LiveTelevision * Four members of the Enterprisecrew: William Shatner, Leonard Nimoy, DeForest Kelly, and George Takei * THE HERESYOF HUMANISM: GREG BEAR AND GREGORYBENFORD * EPILOGUE.

WASSON, Sara & Emily ALDER (eds.), GothicScience Fiction, 1980-2010, Liverpool,Liverpool University Press, (Liverpool ScienceFiction Texts and Studies), 2011, 256 pages.Contents_Part I: Redefining Genres_Chapter 1.“In the Zone: Topologies of Genre Weirdness”by Roger LuckhurstChapter 2: “Zombie DeathDrive: Between Gothic and Science Fiction” byFred Bott ing_Part II: Biopower &Capital_Chapter 3: “‘Death is Irrelevant’:Gothic Science Fiction and the Biopolitics ofEmpire” by Aris Mousoutzanis_Chapter 4: “‘AButcher’s Shop where the Meat Still Moved’:Gothic Doubles, Organ Harvesting and HumanCloning” by Sara Wasson_Chapter 5:“Guillermo del Toro’s Cronos, or the Pleasuresof Impurity” by Laurence Davies_Chapter 6:“Infected with Life: Neo-Supernaturalism andthe Gothic Zombie” by Gwyneth Peaty_Chapter7: “Ruined Skin: Gothic Genetics and HumanIdentity in Stephen Donaldson’s Gap Cycle” byEmily Alder_Part III: Gender andGenre_Chapter 8: “The Superheated,Superdense Prose of David Conway: Genderand Subjectivity Beyond The Starry Wisdom”by Mark P. Williams_Chapter 9: “SpatializedOntologies: Toni Morrison’s Science FictionTraces in Gothic Spaces” by JerrilynMcGregory_Part IV: Strange Cities, StrangeTemporalities_Chapter 10: “The Gothic PunkMilieu in Popular Narrative Fictions” byNickianne Moody_Chapter 11: “Gothic ScienceFiction in the Steampunk Graphic Novel: TheLeague of Extraordinary Gentlemen” by LauraHilton.

YI, Dongshin, A Genealogy ofCyborgothics : Aesthetics and Ethics in theAge of Posthumanism, Farnham (UK),Ashgate, 2010, 164 pages.Proposing the term "cyborgothic" tocharacterize a new genre that may emergefrom gothic literature and science fiction, Yiintroduces mothering as an aesthetic andethical practice that can enable a posthumanist

relationship between human and non-humanbeings. Yi examines the cyborg's literarymanifestations in novels, including TheMysteries of Udolpho, Frankenstein, Dracula,Arrowsmith, and He, She and It, alongsidephilosophical and critical texts such as EdmundBurke's A Philosophical Enquiry into the Originsof Our ideas of the Sublime and Beautiful,Immanuel Kant's Critique of Judgment, JohnStuart Mill's Utilitarianism and System of Logic,William James's essays on pragmatism, ethicaltreaties on otherness and things, feministwritings on motherhood, and recent studies ofposthumanism.

ZIMMERMAN, Martin, Technische Meister-konstruktionen- dämonisches Zauber-werk : der Automat in der mittelhochdeu-tschen Literatur, Berlin Weideler, 2011, 351.Sous-titre : eine Untersuchung zur Darstellungund Funktion von Automatenschilderungen inErzähltexten des 12. bis 14 Jahrhunderts unterBerücksichtigung des kultugeschichtlichenHintergrundes.

SCIENCE FICTION STUDIESVol. 38, part 3, no 115

november 2011

ESSAYMike Davis. Ward Moore’s Freedom RideARTICLESAndrew Milner. Science Fiction and the LiteraryFieldCharles Thorpe. Death of a Salesman: Petit-Bourgeois Dread in Philip K. Dick’s MainstreamFictionTheo Finigan. “Into the Memory Hole”:Totalitarianism and Mal d’Archive in NineteenEighty-Four and The Handmaid’s TaleElissa Gurman. “The holy and the powerful lightthat shines through history”: Tradition andTechnology in Marge Piercy’s He, She and ItCharles Paulk. Post-National Cool: WilliamGibson’s JapanREVIEW-ESSAYSIstvan Csicsery-Ronay, Jr. Sound is the NewLight: Whittington’s Sound Design and ScienceFictionCarl Abbott. The Imagination of Disaster,Revisited: Page’s The City’s End and Yablon’sUntimely Ruins.Jess Nevins. Defining Steampunk: Ashley’sSteampunk Prime, Bowser /Croxall ’s“Steampunk, Science, and (Neo)VictorianTechnologies,” and VanderMeers’ Steampunk IIJerome Winter. Lab Coats, Not Straitjackets:Allen’s Master Mechanics and Wicked Wizardsand Kirby’s Science, Scientists, and Film.

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DES NOUVELLES DE BERNARD GOORDEN

Après avoir mis en valeur dans « IDES … ETAUTRES » hors commerce la revue belge« ANTICIPATIONS », éditée à Bruxelles en1945-1946, notre Centre de Documentation del’Etrange ou CDE voudrait faire redécouvrir etrendre hommage à « ATLANTA », éditée dansla province de Liège.Michaël Grayn, (décédé en 1997), directeur desEditions de l'A.E.L.P. (ou Association européennedes littératures parallèles), en fut le fondateur,d’abord sous la forme de fanzine (voir deséléments sur cette première période à l’adressesuivante :http://www.noosfere.com/icarus/livres/collection.asp?numcollection=1975551057 ), en 1964-1965. Une revue bimestrielle, quasiprofessionnelle, devait lui succéder à partir de1966. « ATLANTA » N°3 (troisième année, 64pages), de mai-juin 1966, accueillait desfictions de : André MAUROIS, Paul BAY, ClaudeSEIGNOLLE, Michaël GRAYN, Walter BECKERS,Jacques CARLES et Michel GRANGER, FranzJOHANN, John FLANDERS, Tina SOL etDominique OPPITZ. Elles sont suivies d’une« Chronique littéraire » de Serge BERTRAN(alias Danny DE LAET) intitulée « Panoramades littératures conjecturales en Belgique.Première étude : Les littératures conjecturalesd’expression néerlandaise » (pages 54-62).

Jacques VAN HERP a publié chez RECTO-VERSO(« IDES … ET AUTRES » 43-44) notamment« José MOSELLI et la SF », un ouvrage de 264pages, en 1984. Il s’agissait d’une « étudeanthologique », puisque l’on y trouvait 15« contes » de l’auteur et abondammentdocumentée (photos, lettres, etc.). Afin devous permettre de le télécharger plusfacilement, nous l’avons scindé en 3.Lapremière partie comprend arbitrairement lespages 1 à 80, en l’occurrence : « PourquoiMoselli ? » ; « Qu’est-ce qu’un romanpopulaire ? » ; « José Moselli : l’homme » ;« Les premières œuvres / Reportages ettémoignages » : « De Yokohama à Tokyo »,« Atlantic House », « Retour à Port-Arthur »,« Une mort », « Un appareillage ». « Lespremières œuvres / A bord » : « Conte deNoël », « La victime ».La deuxième partiecomprend arbitrairement les pages 81 à 160,en l’occurrence :« Les premières œuvres / Abord » : « Matelot-chien ». « Les premièresœuvres / Tableaux de moeurs » : « Unlendemain », « Musique », « A bord », « 13Acropole ».Les « Offenstadt ».Romans SF dans« Sciences et voyages ».La SF dans les autrespublications « Offenstadt ».Moselli auteur de

SF : Bibliographie de ses œuvres de SF,Œuvres où la SF joue un rôle mineur, Œuvres àinvention merveilleuse.La troisième partie comprend arbitrairement lespages 161 à 264, en l’occurrence Œuvres àinvention merveilleuse (« Le dernier rayon »),Les œuvres de vraie SF, Place de Moselli dansla SF française, Hergé et José Moselli, La Find’Illa et Lovecrat.« Le Voyage éternel » et « Lemessager de la planète » de José Moselli(disponibles par ailleurs sur notre site ) Mosellitraduit à l’étranger .L’affaire à l’étranger.Œuvres de José Moselli (« bibliographie »).

Vous trouverez l'essai "Théorie du fantastique"(IEA27) sur le site www.idesetautres.beIl est, comme d'habitude, téléchargeablegratuitement. Avec bibliographie.

DES NOUVELLES DE SOLARIS :

Avec son numéro 180, (automne 2011)SOLARIS est devenue la revue deSF/Fantastique francophone la plusancienne de la galaxie !

Fondée par nul autre que moi-même (et ungroupe de mes étudiants) en 1974, sous lenom de Requiem, Solaris a maintenant battule record de longévité détenu par Fict ion(1953-1990). Au sommaire de ce numérohistorique, trois éditoriaux de Norbert Spehner,Joël Champetier et Jean Pettigrew, des fictionsde Josée Lepire (Prix Solaris 2011), AlainBergeron, Mario Tessier, Yves Meynard, HuguesMorin et Elisabeth Vonarburg, un article deMario Tessier et des critiques de livres.Le site de la revue : www.revue-solaris.com

A PROPOS DES AUTEURS

BIEBERSTEDT, Elisa, Stanislaw Lem –Aussenseiter innerhalb der ScienceFiction, München, Grin Verlag, 2011, 36pages.

BARFIELD Steven & Katharine COX (eds.),Critical Perspectives on Philip Pullman’sHis Dark Materials, Jefferson (NC),McFarland, 288 pages.Herein, scholars from various literary,philosophical, and theatrical fields explore HisDark Materials, addressing numerous topicsrelevant to reading, studying andunderstanding the work, including its basis inMilton’s Paradise Lost; the influence of science

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fiction on the series; issues of social class,religion, sexuality, and gender; postcolonialperspectives; and recent stage productions.

BAXTER, Jeannette & Rowland WYMER, J. G.Ballard : Visions and Revisions, New York,Palgrave Macmillan, 2011, 256 pages.Introduction: J.Baxter & R.Wymer _PART I:'FICTIONS OF EVERY KIND': FORM ANDNARRATIVE_Ballard's Story of O: 'The Voices ofTime' and the Quest for (Non)Identity;R.Wymer_Ballard/Atrocity/Conner/Exhibition/Assemblage; R.Luckhurst_Uncanny Forms: ReadingBallard's 'Non-Fiction'; J.Baxter _PART II: ' THEANGLE BETWEEN TWO WALLS': SEX,GEOMETRY AND THE BODY_PornographicGeometries: The Spectacle as Pathology and asTherapy in The Atrocity Exhibition; J.H.Bon Hua_Disaffection and Abjection in J. G. Ballard'sThe Atrocity Exhibition and Crash; E.Whiting _ChapterSix: Reading Posture and Gesture in Ballard'sNovels; D . O ' H a r a _PART III: 'BABYLONREVISITED': BALLARD'S LONDONS_TheTexture of Modernity in J. G. Ballard's Crash,Concrete Island and High-Rise; S.Groes_J. G. Ballardand William Blake: Historicizing the ReprobateImagination; A.Cormack_Late Ballard; D.James_PART IV: 'THE PERSONAL IS POLITICAL':PSYCHOLOGY AND SOCIOPATHOLOGY_Empiresof the Mind: Autobiography and Anti-imperialism in the Work of J.G. Ballard;I.Paddy _'Going mad is their only way of stayingsane': The Civilized Violence of J. G. Ballard;J.Carter Wood_The Madness of Crowds: Ballard'sExperimental Communit ies; J . H u n t l e y_'Uncentred Lives': Micronationalism in theWork of J. G. Ballard; S.Sellars

BLACK, Alexis & E. David KLONSKY (eds.), ThePsychology of Twilight, Dallas (TX), BenBella/Smart Pop, 2011, 256 pages.Machine generated contents note: Team Jacob/ Erica Berg -- The Case for Edward Cullen /Susan Carnell -- Bella and the Psychobiology ofLove and Attraction / David A. Frederick, et al -- Team Edward vs Team Jacob : Prejudice inTwilight / Melissa Burkley -- Self-Regulating :The Secret to Success in Twilight / JeremyClyman -- Vegetarian Vamps / RobinRosenberg -- Transcendence and Twilight /Tamara Greenburg -- Motorcycles, andStrangers, and Cliff Diving! Oh, my! / CatherineGlenn -- It’s All in the Family / Lisa Dinella andGary Lewandowski -- The Gestalt of Twilight /Mikhail Lyubanksy -- The Emotional Pleasuresof Reading Twilight / Peter Stromberg -- TheTwilight Convergence / Pamela Rutledge.

BLACKMAN, Robert S., Tolkien and the Peril

of War, Stroud, Gloucestershire (UK), TheHistory Press, 2011, 144 pages.BRIGGS, Stephen & Terry PRATCHETT, TheComplete Discworld Companion, London,Gollancz, 2011, 672 pages.BROWNING, Mark, Stephen King on theSmall Screen, Bristol (UK), Intellect, 2011,190 pages.CABELL, Craig, Terry Pratchett : The Spiritof Fantasy, London, John Blake Publishing,2011, 288 pages.CAMOUS, Claude, Jules Verne : Voyage aucentre de Marseille, Gémenos, Autres Temps,2011, 144 pages.CLARKE, Jaime, Conversations with Jona-than Lethem, Jackson (MI), University Pressof Mississippi, (Literary Conversations), 2011,224 pages.DAY, David, Tolkien’s Ring, London, PavilionBooks, 2011, 184 pages.

DESPOTOPOULOU, Anna & Kimberley C. REED(eds.), Henry James and the Supernatural,New York, Palgrave Macmillan, 2011, 196pages.Introduction: The Ghosts of Henry James;K.C.Reed _ Voices from Outside and Far Away;P.G.Beidler _ Style and Henry James's Ghosts;G.Zacharias _ Immensities of Perception andYearning: The Haunting of Merton Densher;K.Boudreau _ Haunted Enclosures - GhostlyMinds: The Private/Public Dilemma in the(Supernatural) Tales; A.Despotopoulou _JohnMarcher's Superstitious Soul and the UncannyBeast in the Jungle; K.Gentile _'Queer' Maud-Evelyn; K.Ohi _'Remember Bluebeard's Wife':Fairy Tale Residue and the Homosocial Bond inJames's Ghost Stories; D.Long Hoeveler _UncannyDoublings in 'Owen Wingrave'; G.Buelens _TheGreat Good Figure; S.Teahan.

A SIGNALER

DEVAUX, Noël, Vincent FERRÉ & CharlesRIDOUX (dir.), Tolkien Aujourd’hui, Valen-ciennes, Presses universitaires de Valen-ciennes, 2011, 375 pages. [Colloque deRambures, 13-15 juin 1008].Dédicace à Christian Bourgois_Introduction –Michaël Devaux, Vincent Ferré et CharlesRidoux_Thomas Honegger : A good dragon ishard to find ; or from draconitas to dracoLectures spirituelles de TolkienMichaëlDevaux : L’esprit de l’espoir chez Tolkien.Considérations sur l’Estel_Sébastien Hoët : Descorps épuisés. L’effort et la fatigue dans leSeigneur des Anneaux_Annie Birks - J.R.R.Tolkien et C.S. Lewis : deux approches duthème de la tentation_Christian Chelebourg :

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« ‘Subcreation’ in a special way » : Métalecturedu Professeur Tolkien_Sébastien Marlair : LeSeigneur des Anneaux ou l’art du palant_r.Considérations sur l’art du récit tolkiénien -_Laurent Alibert : L’héroïsme chez Tolkien. Uneétude de Farmer Giles of Ham_F. GuglielmoSpirito : Gandalf the Wiser. Trough the Wisdomof the Desert Fathers_Charles Ridoux : LeLégendaire d’Âge en Âge

Sources et filiationsLeo Carruthers : Ælfwine de Leithian et laChronique anglo-saxonne_Angela Braito : Laquestion de l’influence wagnérienne dansl’oeuvre de Tolkien -_Anne Besson : Féconditésd’un malentendu : la postérité de Tolkien enfantasy_Chrystel Bourgeois : Le systèmetripartite dans le Seigneur des Anneaux -_Antoine Dauphragne : Le jeu de rôles et laTerre du Milieu_Grégory Bouak : De la high à ladark fantasy : Tolkien et Stephen King -_Thomas Fornet-Ponse : Intertextuality inTolkien and the (un)informed reader : The Lordof the Rings & The SilmarillionPeuples et figuresMirella Vadéan : L’entrée royale d’Aragorn II,roi du Gondor et d’Arnor, dans la cité de MinasTirith_Aurélie Brémont : Les Hobbits dans leSeigneur des Anneaux_Marie Burkhardt : Lareprésentation des personnages féminins dansThe Lord of the Rings : de Tolkien àJackson_Eric Flieller : Évolution et permanencede la figure des Nains dans le Légendaire -ConclusionsAnne Larue : Tolkien ancêtre de lui-même ?_Isabelle Pantin : Tolkien et l’histoire littéraire :l’aporie du contexte_Vincent Ferré : Cinq ansaprès Trente ans après… Post-scriptum sur lesrecherches francophones

Note : Vincent Ferré a un site web surTolkien : http://pourtolkien.fr/

DOCTOROW, Cory, Context, San Francisco,Tachyon Publications, 2011, 240 pages. Recueild’essais sur la technologie.

FINDLAY, Kirsty Nichol (ed.), Arthur Ranso-me’s Long-Lost Study of Robert LouisStevenson, Rochester (NY), Boydell Press,2011, 232 pages.This is the first publication of a remarkablebook by Arthur Ransome, originallycommissioned in 1910. The manuscript, nearlycomplete, was sequestered by Ransome's wifein 1914, and he never saw it again. It came tolight only by chance, long after hisdeath._Arthur Ransome here gives an

exceptionally personal and perceptive accountof the strengths and weaknesses of Stevensonas man and writer. Writing when most bookson Stevenson were biographical or merelyadulatory, he intended his to be the first'critical study'.

FISHER, Benjamin (ed.), Poe in his OwnTime, Iowa City, University of Iowa Press,2010, xl, 312 pages. Sous-titre : A Biographical Chronicle of his Life,Drwan from recollections, Interviews andMemoirs by Family, Friends, and Associates.

FLORESCU, Radu & Matei CAZACU,Frankenstein, Paris, Tallandier, 2011, 294pages. Version française de In Search ofFrankenstein.Dans un récit savamment orchestré, RaduFlorescu et Marei Cazacu reviennent sur cemythe ô combien célèbre en tentant dedémêler le vrai du faux. En revenant sur la viede Mary Shelley et des Frankenstein, ilspercent le mystère des origines de ce monstresacré.

FORNET-PONSE, Thomas, Gewalt, Konfliktund Krieg bei Tolkien, Düsseldorf, Atelier fürTextaufgaben, (Hither Shore, 6), 2011, 276pages.FORNET-PONSE, Thomas, Tolkien undRomantik, Düsseldorf, Scriptorium Oxoniae imAtelier für Textaufgabe, (Hither Shore, 7),2011, 272 pages.FRANCAVILLA, Joseph (ed.), Harlan Ellison,PAsadena (CA), Salem Press, (CriticalInsights), 2011, 388 pages.GARCIA-ROMEU, José, L’Univers de JulioCortazar, Paris, Ellipses, 2010, 143 pages.GIRARD, Marc, Les Contes de Grimm :lecture psychanalytique, Paris, Imago, 2011,174 pages. [4ème édition]GIUDICETTI, Gian Paolo & Marinella LizzaVENUTI, Le citta e i nomi : un viaggio tra leCitta invisibili di Italo Calvino, Cuneo,Nerosubianco, 2010, 193 pages.GREENLAND, Colin, Entropy Exhibition :Michael Moorcock and the British NewWave , New York, Routledge, (RoutledgeRevivals), 2011, 260 pages.GUOMUNDSSON, Oskar, Snorri Sturluson,Homer des Nordens : eine Biographie,Köln, Böhlau, 2011, 447 pages.

HEATH, Elaine A., The Gospel According toTwilight : Women, Sex, and God, Louisville(KY), Westminster John Knox Press, 2011, 176pages.Despite the tremendous commercial success

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Twilight has generated, few readers haveanalyzed its theological teachings or themessages Stephenie Meyer might be sendingto women and teenage girls. This book offersboth a feminist critique of Twilight and atheological review of the stories' ideas aboutsalvation, heaven and hell, power,reconciliation, resurrection, and organizedreligion.

JAMES, Simon, Maps of Utopia : H.G. Wells,Modernity and the End of Culture, NewYork, NY, Oxford Universiy Press, 2012, 256pages.KATZJÄGER, Isabelle, Identitäten undInternet in der Postmoderne : J. R. R.Tolkien im Netz, Saarbrücken, VDM VerlagDr. Müller, 2011, 148 pages.KEHR, Eike, Natur und Kultur in J. R .R.Tolkien’s Lord of the Ring, Trier, WVTWissenschaftlicher Verlag Trier, 2011, 212pages.

KERRY, Paul & Sandra MIESEL (eds.), LightBeyond All Shadows : Religious Experiencein the Work of J. R. R. Tolkien, Madison(NJ), Fairleigh Dickinson University Press,2011, 234 pages.Essays in Light Beyond All Shadows examinethe full sweep of Tolkien's legendarium, notonly The Lord of the Rings but also The Hobbit,The Silmarillion and The History of Middle-Earthseries plus Peter Jackson's film trilogy.Contributions to Light Beyond All Shadowsprobe both the mind of the maker and theworld he made to uncover some of his fictionalstrategies, such as communicating throughimagery. They suggest that Tolkien's Catholicimagination was shaped by the visual appeal ofhis church's worship and iconography.

KLINKOWITZ, Jerome, The Vonnegut Effect,Columbia (SC), University of South CarolinaPress, 2011, 232 pages.KLUWICK, Ursula, Exploring ,Magic Realismin Salman Rushdie’s Fiction, New York,Routledge, (Routledge Studies in Twentieth-Century Literature), 2011, 256 pages.LARSSON, Mariah & Ann STEINER (eds.),Interdisciplinary Approaches to Twilight :Studies in Fiction, Media andContemporary Cultural Experience, Lund(Suède), Nordic Academic Press, 2011, 304pages. [Recueil d’essais]LEACH, Karoline, Lewis Carroll, une réalitéretrouvée, Paris, Arléa, 2011, 353 pages. Titreoriginal : In The Shadow of the DreamchildLEMBKE, Gerrit, Walter Moer’s Zamonien-Romane. Vermessungen eines fiktionalen

Kontinents, Göttingen, V&R Press unipress,2011, 330 pages.

LENGRAND, Claude, Dictionnaire des« Voyages extraordinaires », tome 2,Amiens, Encrage Éditions, (Magasin du ClubVerne, 1), 2011, 354 pages. Ouvrage publiéavec le concours du Conseil Régional dePicardie.Toujours à propos de Jules Verne : la revue LeRocambole a désormais une petite soeur JulesVerne et Cie.Ce Bulletin du Club Verne propose un premiernuméro de 200 pages avec pour thème L’Asiemystérieuse. Sommaire :L'Asie dans « Les Voyages extraordinaires » deJules Verne, par Claude LengrandDe Nemo à Nana Sahib, deux Indiensrévoltés..., par Laurence SudretAux Indes avec Le Coureur des jungles de LouisJacolliot, par Daniel CompèreQue philosopher c'est apprendre à courir, parNoémie LucianiLikao ou le Chinois éclipsé, par Volker DehsClaude Guillon-Verne et Les Tribulations d'unChinois en Chine, par Philippe BurgaudL'Invasion Jaune du Capitaine Danrit : l'Asie àl'assaut de l'Europe au début du XXe siècle, parDaniel DavidJules Verne et le Japon par Masataka IshibashiLe Tonkin de Georges Le Faure, par AlfuL'Asie dans les cartonnages à plat historié(1870-1910), par Jean-Luc BuardLa description de Tomsk dans Michel Strogoff. L'Asie cachée de Jules Verne, par Lionel DupuyL'Asie orientale chez Paul d'Ivoi : une menacepour l'Occident ?, par Marie PalewskaLe Japon de Pierre Maël, Blanche contre Jaunes(1904), par Alfu.

LETURCQ, Sandrine, Jacques Sternberg :une esthétique de la terreur, Paris,L’Harmattan, (Approches littéraires), 2011, 154pages. Étude des contes et nouvelles.

A signaler, le site internet de Denis Chollet etBernard French Keogh (Le Club des amis deJacques Sternberg), consacré à cet auteur :http://jacques-sternberg-iconoclaste.perso.sfr.fr

LLACER LLORCA, Eusebio V. & Olivares PARDO& Nicolas Estevez FUERTES (eds.), A 21st-Century Restrospective View about EdgarAllan Poe. Una mirada retrospectiva sobreEdgar Allan Poe desde el siglo XXI,Frankfurt am Main, etc., Peter Lang, 2011, 257pages.

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MARCANTINO, Daniela, Aleksej NikolaeviTolstoj e gli esordi della fantascienzasovietica, Civittaveccia, Prospettiva Editrice,(Costellazione Orione), 2010, 97 pages.MARKEY, Anne, Oscar Wilde’s Fairy Tales :Origins and Contexts, Dublin, Irish AcademicPress, 2011, 272 pages.MENDES, Ana Cristina, Salman Rushdie andVisual Culture : Celebrating Impurity,Disrupting Borders, New York, Routledge,(Routledge Studies in Twentieth-CenturyLiterature), 2011, 224 pages.MEYER, Stephenie, Tous les secrets de lasaga Twilight : le guide officiel illustré,Paris, Hachette, 2011, 550 pages. Titreoriginal : The Twilight Saga : The OfficialIllustrated Guide.

PARKE, Maggie (ed.), Theorizing Twilight :Critical Essays on What’s at Stake in aPost-Vampire World, Jefferson (NC),McFarland, 2011, 253 pages.Acknowledgments vIntroduct ion 1 __Part I. Twi l ight as Pop CulturalArtifact: Pilgrimages, Fan Culture, andFilm Adaptations_The Vampire Capital of theWorld: Commerce and Enchantment in Forks,Washington_TANYA ERZEN 11 _Fanpires:Utilizing Fan Culture in Event Film Adaptations_MAGGIE PARKE 25_The Hero and the Id: APsychoanalytic Inquiry into the Popularity ofTwil ight_ HEATHER ANASTASIU 41_Someday My Vampire Will Come? Society’s(and the Media’s) Lovesick Infatuation withPrince- Like Vampires_ COLETTE MURPHY 56_Team Bella: Fans Navigating Desire,Secur i ty, and Feminism _ANANYAMUKHERJEA Part II. Once Upon a Twilight: Fairy Tales,Byronic (Anti) Heroes, Post- FeministRomance, and Growing Up in a TwilightWorld_“How Old Are You?” Representations ofAge in the Saga_ASHLEY BENNING 87_Read Only as Directed: Psychology,Intertextuality, and Hyperreality in theSeries_ANGELA TENGA 102_Torn BetweenTwo Lovers: Twi l ight Tames WutheringHeights_SARAH WAKEFIELD 117_Rewritingthe Byronic Hero: How the Twilight SagaTurned “Mad, Bad, and Dangerous to Know”into a Teen Fiction Phenomenon_JESSICAGROPER 132_A Post- Feminist Romance:Love, Gender and Intertextuality in StephenieMeyer’s Saga_HILA SHACHAR Part III. T w i l i g h t Through anIntersectional Lens: Patriarchy, WhitePrivilege, Heteronormativity, RapeCulture, Religion_Maybe Edward Is the MostDangerous Thing Out There: The Role of

Patriarchy_MELISSA MILLER 165_Denialand Salvation: The Twil ight Series andHeteronormative Patriarchy _ASHLEYDONNELLY 178_ It’s a Wolf Thing: TheQuileute Werewolf /Shape- Shifter Hybrid asNoble Savage_ NATALIE WILSON 194_Violence, Agency, and the Women ofTwilight_ANNE TORKELSON 209_Un-bitingthe Apple and Killing the Womb: Genesis,Gender, and Gynocide_LINDSEY ISSOWAVERILL.

POE, Harry Lee, Evermore : Edgar Allan Poeand the Mystery of the Universe, Waco(TX), Baylor University Press, 2010, 232 pages.PEZEU-MASSABUAU, Jacques, Jules Verne etses héros – Une leçon d’abîmes, Paris,L’Harmattan, (Espaces littéraires), 2011, 130pages.PHELSTEAD, Carl, Tolkien and Wales :Language, Literature and Identity, Cardiff,University of Wales Press, 2011, 183 pages.POWELL, David C., Tolkien’s The Silma-rillion : A Reexamination of Providence,Proquest, Umi Dissertation Publishing, 2011, 90pages.RATH, Christine, Schamhafte Geschichte :meta historische Reflexionen im Werk vonJorge Luis Borges, Bielefeld, transcriptVerlag, (Machina, 5), 2011, 264 pages.

RANSOM, Amy J. (ed.), Elisabeth Vonarburg,dossier publié dans FemSpec, vol. II, issue 2,2011, pp. 9-120.This special issue is almost entirely devoted tonoted French Canadian SF writer ÉlisabethVonarburg. In addition to the scholarly articles(one which has been written in both Englishand French), this issue contains her responseto the articles and an interview with Vonarburg— both the interview and the response arewritten in French and English.

ROBBINS, Ruth, Oscar Wilde, New York,Continuum, (Writers Lives), 2011, 208 pages.RODDEN, John, The Unexamined Orwell,Austin, University of Texas Press, (LiteraryModernism), 2011, 308 pagesROZAS, Ricardo Romero, Jorge Luis Borgeset la littérature française, Paris,L’Harmattan, (Espaces littéraires), 2011, 452pages.RUCKER, Rudy, Nested Scrolls : The Auto-biography of Rudolf von Bitter Rucker, NewYork, Tor Books, 2011, 336 pages.SAKHEIM, Arthur, E.T.A Hoffmann : Studienzu seiner Persönlichkeit und seinenWerken, Bremen, Europaïscher Hoschschul-verlag, 2011, 291 pages.

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SALVADOR, Gonzalo, Borges y la Biblia,Madrid, Iberoamericana, 2011, 158 pages.SCHARF, Fabian, Emile Zola. De l’utopismeà l’utopie (1898-1903), Paris, ÉditionsHonoré Champion, (Romantisme et moder-nités), 2011, 624 pages.SCHNEIDER, Mario, Das Erfolgsphänomenvon Tolkien’s Der Herr der Ringe : Versucheiner Erklärung seiner eminenten Präsenz,München, Grin Verlag, 2011, 52 pages.SCHNEIDEWIND, Friedhelm, Mein MittelerdeArtikel und Essays zu Tolkien und seinemWerk, Essen, Oldib verlag, 2011, 160 pages.SEARS, John, Stephen King’s Gothic,Cardiff, University of Wales Press, (GothicLiterary Studies), 2011, viii, 261 pages.SHIELDS, Charles J., And so it Goes : KurtVonnegut, a Life, New York, Henry Holt andCo., 2011, 528 pages.SIMMONS, David (ed.), New Critical Essayson Kurt Vonnegut, New York, PalgraveMacmillan, (American LiterartureReadings inthe 21st Century), 2011, 250 pages.SOPRANZI, Michela, Julio Cortazar : unescritor sistémico, München, Meidenbauer,(Wiener Iberoromanistischen Studien, 2),2011, 278 pages.SUMNERS, Gregory D., Unstusck in Time : AJourney through Kurt Vonnegut’s Life andNovels, New York, Seven Stories Press, 2011,368 pages.VIGNALI-DE POLI, Cristina, La Parole del’autre. L’écriture de Dino Buzzati àl’épreuve de la traduction, Bern, Frankfurtam Main, et al., Peter Lang, (Franco-Italica),2011, 314 pages.VONNEGUT, Kurt, The Last Interview : andOther Conversations, Brooklyn, MelvilleHouse, 2011, 144 pages.VOS, Holger, Die Weltdeutung imSilmarillion von J. R. Tolkien, München, GrinVerlag, 2011, 216 pages.

A SIGNALER

WEGNER, Phillip E. (ed.), Darko Suvin : A :Life in Letters, in Paradoxa, no 23, VashonIsland, (Washington), 2011, 366 pages. Avecphotos et bibliographies, poèmes, confessionset toutes ces sortes de choses intimes sur cecher professeur Suvin que nous avons eu leplaisir de côtoyer à l’occasion lors de son séjourMontréal.

WEINSTOCK, Jeffrey Andrew, CharlesBrockden Brown, Cardiff, University of WalesPress, 2011, 206 pages.WHITLARK, James (ed.), The MetamorphosisPasadena(CA), Salem Press, 2011, 382 pages.

CINÉMA & TÉLÉVISION

ABBOTT, Stacey, TV Goes to Hell : AnUnofficial Road Map to Supernatural ,Toronto, ECW Press, 2011, 344 pages.AGUILAR, Gonzalo Moises & Emiliano JELICIÉ,Borges va al cine, Buenos Libraria, 2010, 182pages.AISENBERG, Joe, Carrie : Studies in theHorror Film, Lakewood (CO), Centipede Press,2011, 320 pages.ALOISIO, Giovanni & Lorenzo RICCIARDI,Zombi. Dawn of the Dead di GeorgeRomero, Roma, Un mondo a Parte, (Quadernidi sangue), 2011, 226 pages. Préface de TomSavini & Edgar Wright.BIANU, Zéno, Georges Méliès, le magiciendu cinéma, Paris, Éditions À dos d’âne, (Desgraines et des guides), 2011, 45 pages.[Ouvrage pour la jeunesse]

BLAIM, Artur & Ludmila GRUSZEWSKA-BLAIM(eds.), Imperfect Worlds and DystopianNarratives in Contemporary Cinema,Frankfurt, et al., Peter Lang, 2011, 190 pages.Contents: Artur Blaim/Ludmila GruszewskaBlaim: Introductory Remarks: The Uses ofDystopian Worlds - Artur Blaim: FailedCarnival: The Metonymic Dystopias in WernerHerzog's Even Dwarfs Started Small - BarbaraKlonowska: Defamiliarization of DystopianNarratives: Esteban Sapir's The Aerial - ZofiaKolbuszewska: Of Dystopia, Desire and Death:Goto, the Island of Flies - Grzegorz Maziarczyk:Huxley/Orwell/Bradbury Reloaded; or, TheCampy Art of Bricolage - Justyna Galant:Vague Boundaries and Re-configured Senses:Dystopia(s) in the making in DavidCronenberg's Videodrome - LudmilaGruszewska Blaim: Against the Culture of Fear:Terror and Romance in V for Vendetta - MartaKomsta: Juliusz Machulski 's Sexmission, orParadise Regained - Andrzej SlawomirKowalczyk: Between Dystopia and Eutopia:Andrei Tarkovsky's Stalker - KatarzynaPisarska: Out of the Drawer and Back Again:Utopian Satire in Juliusz Machulski 's Kingsajz -Ludmi la Gruszewska Bla im/PatrycjaWawrzyszak: East European Golgotha:Constructing Postmodern Dystopia in PiotrSzulkin's Ga-ga: Glory to the Heroes - UrszulaTerentowicz-Fotyga: On the Impossibility ofDystopia? Children of Men or the ApocalypseNow.

BOULEY, Eric, Vorgeschichten des Horror-films : das Théâtre du Grand Guignol unddessen Einfluss auf den Horrorfilm,

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München, Grin Verlag, 2011, 40 pages.

BRIEFEL, Aviva & Sam J. MILLER (eds.),Horror after 9/11 : World of Fear, Cinemaof Terror, Austin, University of Texas Press,2011, 280 pages.Introduction / Aviva Briefel and Sam J. Miller --Why horror? Black screens, lost bodies: thecinematic apparatus of 9/11 horror / LauraFrost -- Let’s roll: Hollywood takes on 9/11 /Elisabeth Ford -- Transforming horror : DavidCronenberg’s cinematic gestures after 9/11 /Adam Lowenstein -- Horror looks at itself.Caught on tape? the politics of video in the newtorture film / Catherine Zimmer -- Cutting intoconcepts of "reflectionist" cinema? the sawfranchise and puzzles of post-9/11 horror /Matt Hills -- The host versus Cloverfield /Homay King -- "Shop \’til you drop!":consumerism and horror / Aviva Briefel --Horror in action -- Historicizing the Bush years:politics, horror film, and Francis Lawrence’s Iam legend / Steffen Hantke -- "I am the deviland I’m here to do the devil’s work": RobZombie, George W. Bush, and the limits ofAmerican freedom / Linnie Blake -- "Foreverfamily" values: Twilight and the modernMormon vampire / Travis Sutton and Harry M.Benshoff -- Assimilation and the queer monster/ Sam J. Miller.

BRODE, Douglas, Rod Sterling and TheTwilight Zone, New York, Barricade Books,2011, 288 page.BRÜTSCH, Matthias, Traumbühne Kino : derTraum als filmtheoretische Metapher undnarratives Motiv, Marburg, Schüren Verlag,(Zürcher Filmstudies), 2011, 420 pages.CABELL, Craig, The Doctor Who’s Who :The Story Behind Every Face of the IconicTime Lord, London, John Blake Publishing,2011, 288 pages.CALHOUN, Crissy, Love You to Death,Season 2 : The Unoffical Companion to theVampire Diaries, Toronto, ECW Press, 2011,288 pages.CARTER, Chip, Obsessed with Star Trek,San Francisco (CA), Chronicle Books, 2011,320 pages.CASTRO, Adam-Troy, Z is for Zombie : AnIllustrated Guide to the End of the World,New York, Harper Voyager, 2011, 64 pages.CLAUS, Detlef, Asiatische Monster- undScience Fiction Filme : das deutscheWerbematerial von 1526-2007, München,Belleville Verlag, 2011, 600 pages.CLÉMOT, Hugo, Les Jeux philosophiques dela trilogie Matrix, Paris, J, Vrin, 2011, 140pages.

La trilogie Matrix a suscité une littératurephilosophique très importante dans le mondeentier. Plus de dix ans après la sortie dupremier des trois films, il est temps de faire unbilan des meilleures contributions et deproposer une interprétation inédite qui s'appuienon seulement sur l'ensemble de la trilogie,mais aussi sur les courts métrages animés, lescomic books et les jeux vidéo conçus pouraccompagner les films.

DUREAU, Christian, Les Interprètes deDracula, le saigneur des Carpates, Paris, D.Carpentier, 2011, 110 pages.DURICK, Rod, Filming the Undead, Barron’sHauppauge (NY), Educational Series, 2011, 160pages.FARIN, Michael & Hans SCHMID (dir.),Nosferatu : eine Symphonie des Grauens,München, Belleville, 2011, 380 pages.FORD, Sam & Antony FOGG, Hunted : TheUnofficial and Unauthorized Guide toSupernatural, series 1-3, Prestatyn (UK),Telos Publishing, 2011, 500 pages.FRÖHLICH, Vincent, 1001 : Motive undStrukturen aus 1001 Nacht in Filmen undBüchern der Gegenwart, Berlin & Münster,Lit Verlag, 2011, 176 pages.

GERAGHTY, Lincoln (ed.), The SmallvilleChronicles : Critical Essays on theTelevision Series, Lanham (MD), TheScarecrow Press, 2011, 218 pages.Introduction: investigating Smallville / LincolnGeraghty -- Texts and Contexts. From comicbook to bildungsroman: Smallville, narrative,and the education of a young hero / StanBeeler -- Televisual ransformations: myth andsocial issues in Smallville / Karin Beeler -- TheKryptonite closet: silence and queer secrecy inSmallville / Jes Battis -- No flights, no tights:Smallville and the roles of special effects intelevision / Rayna Denison -- Audiences andmeta-texts. Smallville: superhero mythos andintellectual property regimes / Ian Gordon --Vids, vlogs, and blogs: the participatory cultureof Smallville’s digital fan / Juli Stone Pitzer --"I’ve a feeling we’re not in Kansas anymore":Examining Smallvil le’s Canadian CultGeography / Lincoln Geraghty -- Sacrifice orSalvation? Smallville’s Heroic Survival AmidstChanging Television Trends / Michael S. Duffy

GIORDANO, Biagio, 1951-1971 : le profeziedel cinema di fantascienza, Lulu.com, 2011,120 pages.GRAINGER, Julian, Cannibal Holocaust : TheSavage Cinema of Ruggero Deodato,London, FAB Press, 2011, 128 pages.

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GRAMS, Martin, Science Fiction Theatre aHistory of the Television Program, 1955-1957, Duncan (OK), BearManor Media, 2011,530 pages.GRAZIER, Kevin R. (ed.), Fringe Science :Parallel Universes, White Tulips, and MadScientists, Dallas (TX), BenBella/Smart Pop.2011, 256 pages.HALLENBECK, Bruce G., British Cult Cine-ma : The Hammer Vampire, Bristol,Hemlock, 2010, 240 pages.HEARN, Marcus, The Hammer Vault, London,Titan Books, 2011, 176 pages.HITE, Kenneth, Zombies 101, Alexandria(VA), Atomic Overmind Press, 2011, 128pages.JARMAN, Colin & Catherine A. DAVIES (eds.),The Quotable Dr. Who : 2000 Quotationsabout the World’s Favorite Time Lord, vol.1, Blue Eyed Books (UK), 2010, 250 pages.

JOHNSON, David Kyle (ed.), Inception andPhilosophy : Because it’s Never Just aDream, Hoboken (NJ), Wiley, (The BlackwellPhilosophy and Pop Culture Series), 2011, 400pages.JOHNSTON, Keith M., Science Fiction Film :A Critical Introduction, London (UK), BergPublishers, (Film Genres), 2011, 192 pages.KAILER, Katja, Science Fiction : Gen – undReproduktionstechnologie in populärenSpielfilmen, Berlin, Logos-Verlag, 2011, 196pages.KNIGHT, Nicholas, Supernatural : TheOfficile Companion Season 6, London, TitanBooks, 2011, 176 pages.KRAMER, Peter, A Clockwork Orange, NewYork, Palgrave Macmillan, (Controversies),2011, 160 pages.[le film de Kubrick]KROLITZKI, Sabine, Phantasie und Realitätbei Tim Burton : eine analytischeBetrachtung der filme Edward Scissor-hands und Big Fish, Saarbrücken, VDMVerlag Der Müller, 2011, 124 pages.

A SIGNALER

LAFOND, Frank, Joe Dante, l’art du je(u),Pertuis, Rouge Profond, (Raccords), 2011, 224pages.Le livre aborde, à travers la figure plurielle duspectateur, l’ensemble de la filmographie duréalisateur des deux Gremlins – et de biend’autres films, parfois moins connus mais toutautant atypiques (Panic sur Florida Beach). Carce « je », bien entendu, c’est d’abord JoeDante lu i-même, dont les goûtscinématographiques puis la carrière de critiquede cinéma, de spectateur premier et

professionnel par conséquent, ont grandementfaçonné la démarche de cinéaste. Mais « je »,c’est également moi, le spectateur, moi qui suismis en jeu à la fois par un savoir cinéphiliquequi n’a de cesse de s’exhiber et par unedémarche esthétique paradoxale. Comprendrele cinéma de Joe Dante consiste donc à saisirles particularités des citations et desautocitations qui l’émaillent, à interroger leurfonctionnement, leur sens ainsi que lesproblèmes de lisibilité qu’elles sont susceptiblesd’entraîner ; cela revient aussi à déterminer laplace du spectateur par rapport à la fictiongrâce à l’étude de quelques dispositifs ludiques(écrans déchirés, regards à la caméra, etc.).Enfin, les terrains de jeu privilégiés du récitsont dépeints à travers certains aspects del'Amérique dans laquelle le cinéaste invitelittéralement à se plonger, comme le montrel’analyse détaillée des Banlieusards. Auxdiverses approches viennent se mêler despropos inédits recueillis par l’auteur, où JoeDante alterne prises de position et anecdotessignifiantes.

LAFOND, Frank (dir.), Le Mystère Franju,Condé-sur-Noireau, Éditions Corlet, (Ciné-maction, no 141), 2011, 200 pages.Préambule : Frank LafondI. Franju en quelques thèmesExpérimentation, déterminisme : la science àl’œuvre chez Franju: Roxane HameryNotes sur quelques troubles occasionnés parl’Insolite: Alban JaminUn univers poétique: Marion Poirson-DechonneAu cœur du cinéma de Georges Franju : leprincipe de l’évasion: Julien AchemchameGrand-guignolesque (et fier de l’être) : Franjuadepte du théâtre du Grand-Guignol: AlbanJaminAltérité, violence et (dés)humanisation dans lesfilms de Georges Franju: Kate InceLes hommes en proie aux institutions: NicolasSchmidtII. Lectures de filmsLes faces multiples du réel : Le sang des bêtes:Andrea GrunertSonge de cinéma dans La première nuit: MarieMartinLa tête contre les murs, un Franju purd’horreur de la folie ordinaire: Albert MontagneQuelle horreur ?! Les yeux sans visage: Eve LeLouarnPleins feux sur l’assassin : un travaild’évacuation: Chris FujiwaraIII. Franju et la forme feuilletonesqueJudex : un film minéral, imago de Feuillade:Benjamin ThomasNuits rouges ou « l’ancien et le moderne »:

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Frank Lafond(Dé)masquer L’homme sans visage: FrankLafondIV. Questions d’adaptationLa princesse et le comédien : carnaval, amouret fantaisie: Muriel LafondThérèse Desqueyroux ou la quête de l’identité:Dominique VerbekenThomas l’imposteur : la représentation de laguerre, d’un rêveur à l’autre: Muriel LafondLa faute de l’abbé Mouret : emprise de lareprésentation: Benjamin ThomasLe clair-obscur de La ligne d’ombre: PhilippeMetV. Discours de (et autour de) FranjuEntretiens avec Georges Franju: Jean-PierrePaglianoEntretien avec Mocky à propos de Franju, ou le« revers de la médaille »: Frank LafondGeorges Franju par Georges Franju. Le discoursde la méthode à l’épreuve des films: RoxaneHameryLa réception critique du cinéma de GeorgesFranju: Gérard LeblancConversation avec Jacques Champreux: FrankLafond et Benjamin ThomasFilmographie: Frank LafondBibliographie sélective: Frank Lafond

LANDIS, John, Monsters in the Movies, NewYork, DK Adult, 2011, 320 pages.LASIC, Josip, Hollywood in der « HighAtomic Culture », München, Grin Verlag,2011, 60 pages.

LEAVER, Tama, Artificial Culture : Identity,Technology, and Bodies, New York,Routledge, 2011, 224 pages.Artificial Culture is an examination of thearticulation, construction, and representation of"the artificial" in contemporary popular culturaltexts, especially science fiction films andnovels. The book argues that today we live inan artificial culture due to the deep andinextricable relationship between people, ourbodies, and technology at large.

LOWDER, James (ed.), Triumph of T h eWalking Dead : Robert Kirkman’s ZombieEpic on Page and Screen, Dallas (TX),BenBella/Smart Pop, 2011, 256 pages.LUPI, Gordiano, Storia del cinema horroritaliano. Da Mario Bava a Stefano Simone,1, Piombino, Ass. Culturale dil Foglio, 2011,225 pages.McCABE, Bob, Harry Potter Page toScreen : The Complete Filmmaking, NewYork, Harper Design, 2011, 540 pages.

MOREMAN, Christopher M. & Cory JamesRUSHTON (eds.), Zombies are Us : Essayson the Humanity of the Walking Dead,Jefferson (NC), McFarland, 2011, 228 pages.NASR, Constantine, Roger Corman :Interviews, Jackson, University Press ofMississippi, (Conversations with Filmmakers),2011, 240 pages.NATHAN, Ian, Alien Vault : The DefinitiveStory of the Making of the Film,Minneapolis, Voyageur Press, 2011, 176 pages.OLEK, Daniela, Lost und die Zukunft desFernsehens : die Veränderung desseriellen Erzählens im Zeitalter von MediaConvergence, Stuttgart, ibidem Verlag, 2011,121 pages.OLIVER, Dan, Zombies A-Z, London, JohnBlake, 2011, 288 pages.OTTINI, Davide & Vincenzo DAL CORNO,Suspiria di Dario Argento. Genesis emorfologia di un capolavoro, Roma, UnMondo a Parte, (Quaderni di sangue, 3), 2011,216 pages.Préface : Antonio Tentori.OLSON, Danel (ed.), The Exorcist : Studiesin the Horror Film, Lakewood (CO),Centipede Press, 2011, 560 pages.ORCI, Roberto, Cowboys and Aliens : TheIllustrated Screenplay, San Rafael (CA),Insight Editions, 2011, 192 pages.PACHLER, Michaela, L o s t im Netz : derEinfluss der Netzwerkgesellchaft aufDramaturgie und Distribution der TV-SerieLost, München, Grin Verlag, 2011, 140 pages.PARKER, Evie, 100% The Twilight Boys :The Unofficial Guide to the Twilight Boys,New York, Bantam Children, 2011, 64 pages.PELOSATO, Alain, Lovecraft au cinéma,Paris, Édilivres Aparis, 2001, 129 pages.PHILLIPS, Kendall R., Dark Directions :Romero, Craven, Carpenter, and theModern Horror Film, Carbondale, SouthernIllinois University Press, 2010, 224 pages.PIEPIORKA, Christine, Lost in Narration :Narrativ komplexe Serienformate in einemtransmedialen Umfeld, Stuttgart, ibidemVerlag, 2011, 185 pages.

PODREZ, Peter, Der Sinn im Untergang.Filmische Apokalypsen als Krisentexte imatomaren und ökologischen Diskurs,Stuttgart, ibidem verlag, 2011, 230 pages.Podrez untersucht einerseits Nicholas MeyersThe Day After und Stanley Kubricks Dr.Strangelove or: How I Learned to StopWorrying and Love the Bomb sowieandererseits Roland Emmerichs The Day AfterTomorrow und Ian Gilmores Magma:VolcanicDisaster.

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RECHT, Marcus, Der sympathische Vampir :Visualisierungen von Männlichkeit in derTV-Serie Buffy, Frankfurt am Main & NewYork, Campus Verlag, 2011, 341 pages.RIGBY, Jonathan, Studies in Terror :Landmarks of Horror, Dublin, Signum Books,2011, 320 pages.Introduction par Mark Gatis.RING, Robert C., Sci-Fi Movie Freak, Iola(WI), Krause Publications, 2011, 256 pages.RUDITIS, Paul, The Walking Dead Chro-nicles, New York, Abrams, 2011, 208 pages.RUSSELL, Gary, Doctor Who Encyclopedia,London, Random House UK, 2011, 400 pages.SALVAGNINI, Rudy, Dizionario dei filhorror. Dall’abbracio del ragno a Zora lavampira, Venezia, Corte del Fontego, (Paroledi cinema), 2011, 1040 pages. [2e édition,2007]SCHERER, Elisabeth, Spuk der Frauenseele :weibliche Geister im japanischen Film undihre kulturhistorische Ursprünge, Bielefeld,transcript Verlag, 2011, 310 pages.SCHILTZ, Françoise, The Future Revised :Jules Verne on Screen in 1950s America,Gosport, Chaplin, 2011, vii, 215 pages.SCHNAKENBERG, Robert & FranziskaSCHÖTTNER, William Shatner von A Bis Z :alles über den Captain der Enterprise undseine anderen Rollen, Augsburg, UBooks,2011, 207 pages.SCHOOTS, Arabella, Dracula – Dramaturgieder Dämmerung, München, Grin Verlag,2011, 60 pages.

SHORT, Sue, Cyborg Cinema, New York,Palgrave Macmillan, 2011, 264 pages.Fully revised and updated since its initialpublication in 2005, this paperback edition alsoincludes reference to the cyborg's transition totelevision, comparing Star Trek's Borg withBattlestar Galactica's Cylons, as well as discussingseries such as Bionic Woman, The Sarah ConnorChronicles and Dollhouse in order to assess thecontinued fascination held by fictional cyborgs,their contribution to our sense of subjectivity,and the way they reflect a host ofcontemporary concerns.

SIPOS, Thomas M. Horror Film Festivalsand Awards, Jefferson (NC), McFarland, 2012,318 pages.SLEIGH, Graham, The Doctor’s Monsters :Meanings of the Monstrous in Doctor Who,London, I. B. Tauris, 2011, 256 pages.

SMITH, Angela, Hideous Progeny : Disa-bility, Eugenics, and Classic HorrorCinema, New York, Columbia University Press,(Film and Culture Series), 2011, 384 pages

Reading such films as D r a c u l a (1931),Frankenstein (1931), Dr. Jekyll and Mr. Hyde (1931),Freaks (1932), and Mad Love (1935) againstearly-twentieth-century disability discourse andpropaganda on racial and biological purity,Smith showcases classic horror's dependenceon the narratives of eugenics andphysiognomics.

STACH, Anna, Männlichkeit, Sexualitätenund Autorität in der Fantasy –Analyse zurKino-Trilogie Der Herr der Ringe, Marburg,Tectum Verlag, 2011, 151 pages.STUART, Sarah Clarke, Into the LookingGlass : Exploring the Worlds of Fringe,Toronto, ECW Press, 2011, 220 pages.TIPTON, Scott, Star Trek Vault : 40 Yearsfrom the Archives, New York, Abrams, 2011,128 pages.TURNER, Alwyn W., The Man who Inventedthe Daleks : The Strange Worlds of TerryNation, London, Aurum Press, 2011, 356pages.TZUMBIE, Sun & Madame CADAVRE EXQUIS,The Art of War of the Zombies : AncientSecret Zombies of World Domination, NewYork, Peter Pauper Press, 2011, 192 pages.USLAN, Michael, The Boy Who LovedBatman : A Memoir, San Francisco (CA),Chronicle Books, 2011, 256 pages.VAN RIPER, A. Bowdoin, A BiographicalEncyclopedia of Scientists and Inventorsin American Film and TV since 1930,Lanham (MD), Scarecrow Press, 2011, 342pages.WALKER, Stephen James, End of Ten : TheUnofficial and Unauthorized Guide toDoctor Who 2009, Prestatyn (UK), TelosPublishing, 2011, 250 pages.WILLIAMS, Paul, Race, Ethnicity andNuclear War : Representations of NuclearWeapons and Post-Apocalyptic Worlds,Liverpool, Liverpool University Press, 2011, 256pages.WILSON, Leah, Fringe Science, Dallas (TX),BenBella books, 2011, 256 pagesWINDHAM, Ryder,et al., Génération StarsWars : la chronique illustrée de 30 ansd’aventures, Paris, Éditions Hors Collection,2011, 319 pages.WINDHAM, Ryder & Peter VILMUR, TheComplete Vader, New York, Lucasbooks,2011, 192 pages.

Faute d’espace, les rubriques suivantessont absentes de ce numéro : le récit deguerre, la bande dessinée, le récithistorique, le récit érotique et la littéra-ture pour jeunes.

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ROMANS ET FILMSPOLICIERS

LITTÉRATURE

CASADESUS BORDOY, Alejandro, Negra imallorquina : origens i evolucio de lanovella policiaca a Mallorca, Barcelona,Publicacions de l’Abadia de Montserrat,(Biblioteca Serra d’Or), 2011, 288 pages.[Étude sur le polar de Majorque écrit en languecatalane].CHESTERTON, Gilbert Keith, G. K. Chestertonon Detective Fiction : Appreciations,Criticisms, and Advice to Writers, Eugenia(Ontario), Battered Silicon Dispatch Box, 2010,211 pages. [Livre édité par John Peterson].

COOK, Michael, Narratives of Enclosure inDetective Fiction : The Locked RoomMystery, New York, Palgrave Macmillan, 2011,224 pages.The locked room has long fascinated readers ofdetective fiction with its images of entrapmentand entombment. Narratives of Enclosure is thefirst full length critical study of the LockedRoom Mystery, tracing its origins in Edgar AllanPoe's 'The Murders in the Rue Morgue', the firstdetective story, up to the modern era. Lookingbeyond the facade of the impossible crime toexamine stories by Charles Dickens, ArthurConan Doyle, G. K. Chesterton, John DicksonCarr and Paul Auster, Michael Cook uses criticaland thematic contexts to show how the idea ofenclosure has informed detective fiction atevery stage in its history.

DÄWES, Birgit, The Ground Zero Fiction :History, Memory, and Representation inthe American 9/11 Novel, Heidelberg,Winter Verlag, (American Studies), 2011, xii,497 pages.

EVANS, Curtis, Was Corinne’s MurderClued ? The Detection Club and Fairplay,1930-1953, un supplément de CDS (Crimeand Detection Stories), publié par Geo f fBradley, à South Benfleet (Essex), 2011, 56pages.(9, Vicarage Hill, South Benfleet, Essex,SS7 1PA, UK). Curtis Evans examine lacorrespondance de Dorothy Sayers et d’autresmembres de l’éminent Detection Club quis’interrogent sur le « fair play » d’éventuelsadhérents.

EFFRON, Malcah (ed.), The Millennial Detec-tive : Essays on Trends in Crime Fiction,Film and Television, 1990-2010, Jefferson(NC), McFarland, 2011, 176 pages.Introduction / by Malcah Effron -- Crime Fictionand the Politics of Place: The Post-9/11 Senseof Place in Sara Paretsky and Ian Rankin / P.M. Newton -- A Normal Pathology? PatriciaCornwell’s Third-Person Novels / Beth Head --Inheriting the Mantle: Wallander and Daughter/ Susan Massey -- "A Visitor for the Dead":Adam Dalgliesh as a Serial Detective / SabineVanacker -- Transforming Genres: SubversivePotentialand the Interface between Hard-BoiledDetective Fiction and Chick Lit / SonjaAltnoeder -- The Poetics of Deviance and theCurious Incident of the Dog in the Night-Time /Christiana Gregoriou -- "A Natural Instinct forForensics": Trace Evidence and EmbodiedGazes in The Bone Collector / LindsaySteenberg -- "Post-Modern or Post-Mortem"Murder as a Self-consuming Artifact in RedDragon / David Levente Palatinus -- RevisitingParanoia: The "Witch Hunts" in James Ellroy’sThe Big Nowhere and Walter Mosley’s A RedDeath / Maureen Sunderland -- A DetectiveSeries with Love Interruptions? TheHeteronormative Detective Couple inContemporary Crime Fiction / Malcah Effron --Detective Fiction & Serial Protagonists: AnInterview with Ian Rankin / Sian Harris andMalcah Effron.

GUAGNINI, Elvio, Dal giallo al noir e oltre :declinazioni del poliziesco italiano, Formia,Ghenomena, 2010, 178 pages.

GRAHAM-BERTHOLINI, Alison, Vigilante Wo-men in Contemporary American Fiction,New York, Palgrave Macmillan, 2011, 202pages.

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Gun-toting, rough-riding, crack-shot women;train-robbing female bandits; blood-thirstymothers who refuse to accept injustice— thesewomen appear in vigilante literature asprotagonists that recognize the extent of theirown exploitation and directly confront thecauses.

GILLIS, Stacy, Crime Fiction, Edinburgh,Edinburgh University Press, 2011, 256 pages.

KNIGHT, Stephen, The Mysteries of theCities. Urban Crime Fiction in theNineteenth Century, Jefferson (NC),McFarland, 2011, 240 pages.This historical and critical text examines theorigins of the innovative genre, which grappledwith the rise of enormous, anonymous cities,beginning in France in 1842, then spreadingrapidly across the continent and to Americaand Australia. Writers covered include EugeneSue, George Reynolds, Paul Feval, GeorgeLippard, "Ned Buntline" and Donald Cameron.

MACARTHUR, Sian, Crime and the Gothic :Identifying the Gothic Footprint in ModernCrime Fiction, Faringdon (UK), Libri publi-shing, 2011, 196 pages.MONDAY MURDER CLUB, A Miscellany ofMurder : from History and Literature toTrue Crime and Television, A KillerSelection of Trivia, Adams Media, 2011, 256pages.

PANEK, LeRoy Lad, Before Sherlock Holmes.How Magazines and Newspapers Inventedthe Detective Story, Jefferson (NC),McFarland, 2011, 227 pages.This volume surveys the first 50 years of thedetective story in 19th century America andEngland, examining not only major works, butalso the lesser known--including contemporarypseudo-biographies, magazines, story papers,and newspapers--only recently accessiblethrough new media. By rewriting the history ofthe mystery genre, this study opens up newavenues for literary exploration.

PRIESTMAN, Martin, Crime Fiction From Poeto the Present, Tavistock (UK), NorthcoteHouse Publishers, (Writers and their Works),2011, 96 pages.

RANDALL, Martin, 9/11 and the Literatureof Terror, Edinburgh, Edinburgh UniversityPress, 2011, 174 pages.Explores the fiction, poetry, theatre and cinemathat have represented the 9/11 attacks. Worksby Martin Amis, Ian McEwan, Don DeLillo,

Simon Armitage and Mohsin Hamid arediscussed in relation to the specific problems ofwriting about such a visually spectacular 'event'that has had enormous global implications.

SANCHEZ SOLER, Mariano, Anatomia delcrimen : guia de la novela y el cine negros,Madrid, Reino de Cordelia, 2011, 253 pages.Compilation d’articles théoriques sur le romanet le film noirs, article écrits par le romancier etjournaliste Mariano Sanchez Soler.

SPRECHER, Thomas, Literatur undVerbrechen : Kunst und Kriminalität in dereuropäischen Erzählprosa um 1900,Frankfurt am Main, Vittorio KlostermannVerlag, 2011, 495 pages.

WORTHINGTON, Heather, Key Concepts inCrime Fiction, New York, Palgrave Macmillan,2011, xxv, 207 pages.This volume explores the contemporaryanxieties to which crime fiction responds, alongwith society's changing conceptions of crimeand criminality. The book covers texts,contexts and criticism in an accessible anduser-friendly format.

A PROPOS DES AUTEURS

COCHRAN, William R., Thinking outside theTin-Dispatch Box : The Post-ReichenbachSherlock Holmes, Eugenia (Ontario), BatteredSilicon Dispatch Box, 2011, 168 pages.COLLECTIF, Georges Simenon (1903-1989): de la Vendée aux quatre coins dumonde, Paris, Somogy, (Coedition et mu),2011, 280 pages.[Ouvrage réalisé parChristophe Vital, Luc Siret, Anne Moussea].DARD, Frédéric, Je me suis raconté deshistoires très tôt [Propos inédits de Frédéricdard, le père de San Antonio, recueillis parFrançois Rivière et Francis Gillery], Paris,Fleuve Noir, 2011, 190 pages.DIRDA, Michael, On Conan Doyle : or, TheWhole Art of Storytelling, Princeton,Princeton University Press, (Writers onWriters), 2011, 224 pages.DISLER, Michelle, [Bond, James] : Alpha-bet, Anatomy, [Auto]biography, Denver(CO), Counterpath, 2010, 104 pages.DUKE, Michael, Victorian Holmes, Eugenia(Ontario), Battered Silicon Dispatch Box, 2011,234 pages.EAUDE, Michael, Con el muerto a cuestas :Vazquez Montalban y Barcelona, Barcelona,Alrevés, 2011, 208 pages. Étude des romansde Manuel Vasquez Montalban.

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MINI-DOSSIER MILLENIUMSTIEG LARSSON

BAKSI, Kurdo, Stieg Larsson : Our Days inStockholm, London, Pegasus, 2010, 144pages.

BURSTEIN, Dan, DE KEIJZER Arne & John-Henri HOLMBERG (eds.), The Tattoed Girl :The Enigma of Stieg Larsson and theSecrets Behind the Most CompellingThrillers of our Time, New York, St. Martin’sGriffin, 2011, xxii, 359 pages.The author who kicked the hornet's nest -- Theprofound prescience of Stieg Larsson / Dan Burstein --The author who played with fire / ChristopherHitchens -- The girl who conquered the world / LauraMiller -- Lisbeth Salander, the Millennium Trilogy andmy mother / Jenny McPhee -- The novels you read arenot necessarily the novels Stieg Larsson wrote: Howhave the Millennium novels been edited; The troubledtranslation from Swedish to English / John-HenriHolmberg -- Stieg's "baby": the past present andfuture of Expo magazine / an interview with DanielPoohl -- My colleague, Stieg Larsson / an interviewwith Mikael Ekman -- "I offered them a shrimpsandwich" / an interview with Robert Aschberg --Exposing the extreme right / an interview with Anna-Lena Lodenius -- Eva Gabrielsson on the record, acompilation -- In her own words: Eva Gabrielsson tellsher story / Paul De Angelis -- Steig Larsson andscience fiction: Stieg in fandom: the life and times of atrufan; Reading (and sometimes writing) sciencefiction / John-Henri Holmberg -- The man who inhaledcrime fiction / John-Henri Holmberg -- T h e fatalattraction of Nordic noir -- Inspector Norse from TheEconomist -- IKEA noir / Brooks Riley -- TheScandinavian invasion / Jordan Foster --

FORSHAW, Barry, The Man who Left tooSoon : The Life and Works of StiegLarsson, London, Blake, 2011, ix, 310 pages.

KING, Donna & Carrie LEE SMITH (eds.), Menwho Hate Women and Women who KickTheir Asses : Stieg Larsson’s MilleniumTrilogy in Feminist Perspectives, Nashville(Tenn.), Vanderbilt University Press, 2010, 192pages.Introduction : Donna King and Carrie Lee SmithMisogyny and MayhemAlways Ambivalent: Why Media Is Never JustEntertainment : Abby FerberKick-Ass Feminism: Violence, Resistance, andFeminist Avengers in Larsson's Trilogy : Kris DeWeldeLisbeth Salander as the "Final Girl" in theSwedish "Girl Who" Films : Karen RitzenhoffAccounts of Violence against Women: The

Potential of Realistic Fiction : Roberta VillalonState Complicity in Men's Violence againstWomen : Patricia Yancey MartinGender and Power in the New MillenniumThe Gender Ambiguity of Lisbeth Salander:Third-Wave Feminist Hero? : Judith LorberThird-Wave Rebels in a Second-Wave World:Polyamory, Gender, and Power : MimiSchippersMen Who Love Women: Pro-feministMasculinities in the Millennium Trilogy : MichaelKimmelTiny, Tattooed, and Tough as Nails:Representations of Lisbeth Salander's BodyCatherine (Kay) G. ValentineHacker Republic: Cyberspace and the FeministAppropriation of Technology : Sophie StatzelBjork-JamesIs This What Equality Looks Like? WorkingWomen in the Millennium Trilogy : Diane LevySwedish PerspectivesCorporations, the Welfare State, and CovertMisogyny in The Girl with the Dragon TattooAnna Westerstahl Stenport and CeciliaOvesdotter AlmLisbeth Salander and Her Swedish CrimeFiction "Sisters": Stieg Larsson's Hero in aGenre Context: Kerstin BergmanIs Mikael Blomkvist the Man of the Millennium?Sara KarrholmReaders' ResponsesAn Open Letter to the Next Stieg Larsson :LeeAnn KrieghPippi and Lisbeth: Fictional Heroes acrossGenerations : Meika LoeFeminist Bloggers Kick Larsson's Ass: ReadingResistance Online : Jessie DanielsFeminist Avenger or Male Fantasy? Reading theReception of the Millennium TrilogyCaryn Murphy.

PETTERSON, Jan-Erik, Stieg Larsson : TheReal Story of the Man Who Played withFire, New York, Sterling, 2011, 288 pages.ROSENBERG, Robin S. & Shannon O’NEIL(eds.), The Psychology of the Girl with theDragon Tattoo : Understanding LisbethSalander and Stieg Larsson’s Millenium,Dallas (TX), BenBella/Smart Pop, 2011, 256pages.

GOERTZ, He inr ich (ed.) , FriedrichDürrenmatt : mit Selbstzeugnissen undBilddokumenten, Reinbek bei Hamburg,Rohwolt, 2011, 156 pages.HALLAM, Julia, Lynda Laplante, Manchester,Manchester University Press, (The TelevisionSeries), 2011, 192 pages.

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LEMONIER, Marc, Le petit dictionnaire deSherlock Holmes, Paris, City Éditions, 2011,222 pages.

MORRIS J., John Dickson Carr’s ThreeCoffins : A Hollow Victory ?, supplément deCADS (Crime and Detective Stories), 2011, 56pages. Publié par Geoff Bradley, 9 VicarageHill, South Benfleet, Essex SS7 1PA.Analyse lucide d’un classiqu du roman àénigme. Quoique grand admirateur de l’oeuvrede John Dickson Carr, l’auteur a relevé plus de25 défauts dans l’intrigue.

NDONGO ONONO, Côme, L’Esthétique deChester Himes, Paris, Publibook, 2010, 183pages.RUAUD, André-François, Arsène Lupin, unevie , Lyon, les Moutons électriques, (LaBibliothèque rouge, vol. 21), 2011, 352 pages.RUËDI, Peter, Dürrenmatt oder die Ahnungvom Ganzen : Biographie, Zürich, DiogenesVerlag, 2011, 960 pages.

SCHMIDT, Nora, Subtile Differenzen :Fantastik, Krimi und Geschichte in MilosUrbans Roman Sedmikosteli, Berlin, Frank &Timme, (Slawistik, 4), 2011, 137 pages.Ce roman paru en 1999 chez la maisond’édition Argo, est le plus connu de MilosUrban. Il est considéré comme un chefd’oeuvre de la littérature gothique moderne, lepersonnage principal, ancien policier, etpassionné d’histoire médivale est lié à plusieursmeurtres dans l’ancien Prague.

SPARKS, Mike L., James Bond is Real : TheUntold Story of Political & MilitaryTechnological Threats Ian Fleming WarnedUs About, Walterville (OR), Trine Day, 2011,480 pages.STALLINGS, L. H. & Greg THOMAS (ed.),Word Hustle : Critical Essays andReflections on the Works of DonaldGoines, Baltimore (MD), Black Classic Press,2011, 250 pages.STEIFF, Josef (ed.), Sherlock Holmes andPhilosophy : The Footprint of a GiganticMind, Chicago, Open Court, (Popular Cultureand philosophy, 61), 2011, 384 pages.SEPEDA, Toni, Sur les traces de Brunetti :12 promenades au fil des romans deDonna Leon, Paris, Points, 2011, 426 pages.WILLEFORD, Charles, Je cherchais une rue,Paris, Rivages, (Noir), 2011, 192 pages.WOOD, Ralph C., Chesterton : The Night-mare of Goodness of God, Waco (TX), BaylorUniversity Press, 2011, 385 pages.

CINÉMA & TELEVISION

BADMINGTON, Neil, Hitchcock’s Magic,Cardiff, University of Wales Press, 2011, x, 208pages.BARNES, Alan, Sherlock Holmes on Screen,London, Titan books, 2011, 320 pages.BECKMANN, Jörg, James Bond, Fränkisch-Crumbach, Edition Xxl, 2011, 400 pages.BISHOP, David, The Complete InspectorMorse, London, Titan books, 2011, 296 pages.BRANDON, Hurst, Daniel Craig, a JamesBond of Our Times, Top Spot Publishing (UK),2011, 160 pages.

BURDEAU, Emmanuel & Nicolas VEILLECAZES(dir.), The Wire. Reconstitution collective,Paris, Les Prairies ordinaires/Capricci, 2011,166 pages.Diffusée sur la chaîne HBO entre 2002 et 2008,The Wire (Sur Ecoute en français) est l'une desplus fascinantes et des plus originales séries del'histoire de la télévision.Ce livre est le premier ouvrage françaisconsacré à The Wire. Composé d'autant detextes que la série a eu de saisons - cinq, plusun bonus -, il étudie celle-ci dans saprogression, afin de ne pas faire de distinctionartificielle entre la "forme" et le "fond", entreson esthétique et ses thématiques sociales. Ilfonctionne ainsi sur deux niveaux, à la foiscomme une introduction et comme unethéorisation plurielle de la série.

CANONNE, Xavier, Requiem pour un hommeseul : Le Samourai, de Jean-PierreMelville, Morlanwelz (Belgique), les Marées dela nuit, 2010, 120 pages.CARRADINE, David, The Kill Bill Diary : TheMaking of a Tarantino Classic as Seenthrough the Eye of a Screen Legend, NewYork, Harper Collins, 2011, 311 pages.CICERO, Vincenzo (dir.), Nel nome di Dexter.Un killer seriale fra letteratura e TV,Milano, Vita e Pensiero, (Media spettacolo eprocessi culturali. Ricerche), 2010, 154 pages.CONARD, Mark T., The Philosophy of theCoen Brothers, Lexington, University Press ofKentucky, (The Philosophy of Popular Culture),2011, 332 pages.CUNNINGHAM, Douglas A., The San Francis-co of Alfred Hitchcock’s Vertigo : Place,Pilgrimage, and Commemoration, Lanham(MD), The Scarecrow Press, 2011, 304 pages.DREYER, Anna-Lena, Der Wandel der FigurJames Bond – oder wie James Bond sichan die aktuelle Männlichkeit anpasst,

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Hamburg, Diplomica Verlag, 2011, 118 pages.GERHARDS, Jürgen, SCHÄFER, Mike S., IshtarAL-JABIRI & Juliane SEIFERT, Terrorismusim Fernsehen : Formate, Inhalte undEmotionen in westlichen und arabischeSendern, Wiesbaden, VS Verlag, 2011, 260pages.GRIFFIN, Susan M., The Men who Knew TooMuch : Alfred Hitchcock and Henry James,Oxford, Oxford University Press, 2011, 256pages.GROB, Norbert & Ivor RITZER, Polar –französischer Kriminalfilm, Mainz, Benderverlag, 2011, 192 pages.HEARN, Marcus, Chapeau melon et bottesde cuir : l’album souvenir d’un classiquede la TV, Paris, Éditions Chroniques, 2011,160 pages.JENSEN, Sören, Das Verhalten NormanBates im Film Psycho von Alfred Hitchcockvor und nach beiden Mordszenen, München,Grin Verlag, 2011, 36 pages.JURETZKA, Maxim, Serien-Franchise – DieTV-Series als expandierenden Marke : eineUntersuchung am Beispiel der Law &Order und CSI Serien, Saarbrücken, VDMVerlag Dr. Müller, 2011, 112 pages.KIMBER, Shaun, Henry : Portrait of a SerialKi l ler , New York, Palgrave Macmillan,(Controversies), 2011, 160 pages.KISSLING-KOCH, Petra, Mach(t)räume : derProduction Designer Ken Adam und dieJames Bond Filme, Berlin, Bertz+Fischer,2011, 256 pages.KRAMP, Joachim, Die Jerry Cotton Filme :als Jerry Cotton nach Deutschland kam,Stuttgart, ibidem Verlag, 2011, 242 pages.LEITCH, Thomas & Leland POAGUE (EDS.), ACompanion to Alfred Hitchcock, Malden(MA), Wiley-Blackwell, (Blackwell Companion toFilm Directors), 2011, xiv, 610 pages.LeVERTIS, Robert (ed.), The Wire, Detroit,Wayne State University Press, (Criticism, vol.52, no 3/4, Special issue), 2011, 355 pages.

MASON, Fran, Hollywood’s Detectives :Crime Series in the 1930s and 1940s fromthe Whodunnit to Hard-Boiled Noir, NewYork, Palgrave Macmillan, (Crime Files), 2011,224 pages.This book examines key detective series of the1930s and 1940s (including Sherlock Holmes,Charlie Chan, The Falcon and The Thin Man),as well as some that are less well-known(Michael Shayne and Torchy Blane) to explorethe particular concerns and modes ofrepresentation within the detective film beforethe rise of hard-boiled and noir cinema.

MACNOW, Glen & George ANASTASIA, TheUltimate Book of Gangster Movies :Featuring the 100 Greatest Gangster Filmsof all Time, Philadelphia, Running Press, 2011,352 pages.Préface de Joe Pistone.MATOZZO, Beatrice, Hitchcock Aristotele : latragedia al cinema, Roma, Falsopiano,(Falsopiano/ Cinema)2011, 160 pages.NIRMALAJARAH, Asokan, Gangster Melodra-ma : The Sopranos und die Tradition desamerikanischen Gangsterfilms, Bielefeld,transcript Verlag, 2011, 355 pages.

OSGANIAN, Patricia (dir.), Du polar àl’écran : normes et subversion, Paris, laDécouverte, (Mouvement : des idées et desluttes), 2011, 175 pages.Du polar à l’écran : normes et subversion _Éditorial _I/ Caps et changements de caps du roman noir àl’écran_Du roman au film noir, par Claude Mesplède_Polar français au cinéma (1961-2011) : Uneesthétique au service d’un engagementpolitique, par Marion Poirson-Dechonne _Travail,consommation : polar contemporain etnouvelles formes de domination, par BernardFloris et Martin Ledun _Nos fantastiques années fric, Uneaffaire d’État ? regards croisés avec DominiqueManotti, romancière et Éric Valette, réalisateur: propos recueillis par Patricia Osganian, Anne-SophiePerriaux et Julienne Flory _II / Figures et critique desreprésentations sociales _The Wire, une série horsnormes : «Yes, we cannot !», par Max Obione _Vousavez le droit de garder le silence, par Jean-HuguesOppel _De Stringer à La position du missionnaire : laposition du scénariste et du romancier,entretien avec Jean-Paul Jody, propos recueillis parPatricia Osganian _Place et figures de femmesdans le roman noir : La jambe interminable dupolar, par Stéfanie DelestreLaura, saison II, par Elisa Vix_La figure du Serial Killer : romans en série etséries TV, entretien avec Franck Thilliez, proposrecueillis par Patricia Osganian _III / L’explosion desfilms et des séries télévisées _L’économie politiquedes séries américaines, par David Buxton_Un filmsocial habillé en noir : entretien avec JacquesFansten, propos recueillis par Anne-Sophie Perriaux,Patricia Osganian et Julienne Flory _Suite Noire :«arrangements» et télévision, par RomainSlocombe _De la série télé au roman : entretienavec Peter May, propos recueillis par PatriciaOsganian _Cognac, un festival ouvert au petitécran, entretien avec Bernard Bec, proposrecueillis par Patricia Osganian _Itinéraire _«Impressions d’Afrique », entretien avec CarylFérey, propos recueillis par Patricia Osganian _Thèmes_2011 : Le printemps arabe?, par Samir Amin _Oùva le Forum social mondial ?, par PierreBeaudet_Les philippines de Cory Aquino àBenigno Aquino : Vingt-cinq ans après la

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transition démocratiques, par Gwenola Ricordeau_Urgence d’un changement civilisationnel faceà la nouvelle ruée minière mondiale. Entretienavec William Sacher, propos recueillis par MaximeCombes.

PARK, William, What is Film noir ? Lanham(MD), Bucknell University Press, 2011, 224pages.PHILLIPS, Gene D., Out of the Shadows :Expanding the Canon of Classic Film Noir,Lanham (MD), Scarecrow Press, 2012, 288pages.PIERSON, David P., The Fugitive, Detroit,Wayne State University Press, (TV Milestones),2011, 136 pages.RAFTER, Nicole Hahn & Michele Brown,Criminology Goes to the Movies : CrimeTheory and Popular Culture, New YorkUniversity Press, 2011, 256 pages.RAUBICHECK, Walter & Walter SREBNICK,Scripting Hitchcock : Psycho, The Birdsand Marnie, Urbana, University of IllinoisPress, 2011, 168 pages.ROTHER, Rainer, Die Lust am Verbrechen :Verbrechergeschicten aus Deutschland,Berlin, Bertz+Fischer, 2011, 192 pages. [Lethriller allemand au cinéma]

SMITH, Imogen Sarah, In Lonely Places :Film noir Beyond the City, Jefferson (NC),McFarland, 2011, 255 pages.Imaginary Prisons: Noir and the City 19 _2.In Exile at Home: Noir Between Two Worlds 34_3. Maximum Security: Domestic Noir 57_4. The Tyranny of Neighbors: Small- TownNoir 83 _5. Blind Highways: Noir on theRoad 105 _6. Mirage of Safety: Noir on theMexican Border 135 _7. Lone and LevelSands: Desert Noir 159 _8. Past Sunset:Noir Westerns 178 _9. Private Traps: Noirin the Mind 214.

SAN JUAN, Eric & Jim McDEWITT, A Year ofHitchcock : 52 Weeks with the Master ofSuspense , Lanham (MD), The ScarecrowPress, 2011, 432 pages.SIMKIN, Stevie, Straw Dogs, New York,Palgrave Macmillan, (Controversies), 2011, 160pages.WALKER, Michael, Hitchcock’s Motifs,Amsterdam, Amsterdam University Press,2011, 512 pages.ZUIKER, Anthony & Todd GOLD, Mr CSI :How a Vegas Dreamer Made a Killing inHollywood one Body at a Time, New York,Harper Collins, 2011, 304 pages.

WESTERNS

BLISS, Michael (ed.), Peckinpah Today :New Essays on the Films of SamPeckinpah , Carbondale, Souther IllinoisUniversity Press, 2012, 224 pages.

BÜRGEL, Matthias, Die literarische, künstle-rischen und kulturellen Quellen desItalowesterns, Frankfurt am Main, et al.,(Bonner romanistische Arbeiten), Peter Lang,2011, 663 pages.Durch eine Analyse herausragender Werke undÄußerungen der Autoren wird hier aufgezeigt,wie sich seine Ausformung gestaltet. So kannder Gebrauch verschiedenster Quellenentschlüsselt werden: James Bond, dieitalienische Oper und ihre Verfilmungen, derSturm und Drang, der Katholizismus, dieKriminalromane Mickey Spillanes bis hin zurSelbstpersiflage in den Filmen mit Bud Spencerund Terence Hill.

CHEMERKA, William R., Fess Parker : TV’sFrontier Hero, Duncan (OK), BearmanorMedia, 2011, 416 pages. Préface de Ron Ely.

EDGERTON, Gary R. & Michael T. MARDSEN(eds.), Westerns ; the Essential Journal ofPopular Film and Television Collection,London & New York, Routledge, 2012, 384pages.Introduction: The journal of popular film &television legacy of Western scholarship / GaryR. Edgerton and Michael T. Marsden -- SilentWesterns. The earliest Western films: achecklist of pre-1900 prototype Western filmsin the Library of Congress paper print collection/ Daryl E. Jones -- "The cross-heart people":race and inheritance in the silent Westerns /Joanna Hearne -- "Arizona Jim": the Westernsof Douglas Fairbanks, Sr. / John C. Tibbetts --Classic Westerns. Soldiers in Stetsons: B-Westerns go to war / R. Philip Loy -- "Be sureyou’re right, then go ahead": the early DisneyWesterns / J.G. O’Boyle -- "Let’s go home,Debbie": the matter of blood pollution, combat

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culture, and Cold War hysteria in The searchers(1956) / Sue Matheson -- Race and Westerns.Playing at being Indian: spectatorship and theearly Western / Alison Griffiths -- A fate worsethan death: racism, transgression, andWesterns / J.P. Telotte -- A politically correctEthan Edwards: Clint Eastwood’s The outlawJosey Wales (1976) / Robert Sickels -- Genderand Westerns. Howard Hughes and hisWestern: The maverick and The outlaw (1943)/ Thomas H. Pauly -- Carrying concealedweapons: gendered makeover in Calamity Jane(1953) / Tamar Jeffers McDonald --Redesigning Pocahontas: Disney, the "Whiteman’s Indian", and the marketing of dreams /Gary Edgerton and Kathy Merlock Jackson --Revisionist Westerns. McCabe and Mrs. Miller(1971): Robert Altman’s anti-Western / GaryEngle -- Blending genres, bending time:Steampunk of the Western frontier / Cynthia J.Miller and A. Bowdoin Van Riper -- Deadwood(2004-2006), generic transformation, andtelevisual history / Allison Perlman -- Westernsin global context. Shouldering the weight of theworld: the sensational and global appeal ofJohn Wayne’s body / Russell Meeuf -- The manwith no home/Musukja (1968): Shane comesback in a Korean "Manchurian Western" / HyeSeung Chung -- Hollywood border cinema:Westerns with a vengeance / Camilla Fojas --The Western rides on: books about Westernmovies, 2005-2011 / Ray Merlock and JackNachbar.

FISHER, Austin, Radical Frontiers in theSpaghetti Western : Politics, Violence, andpopular Italian Cinema, London, I. B. Tauris,2011, vi, 304 pages.GOLO, B. Traven : Porträt eines berüh-mten Unbekannten, Berlin, Avant-GardeVerlag, 2011, 139 pages. [Biographie sousforme de bande dessinée]

GRANT, Kevin, Any Gun Can Play : TheEssential Guide to Euro-Westerns, London,FAB Press, 2011, 480 pages.Préface de FrancoNero.Based on years of research backed up byinterviews with many of the genre's leadinglights, including actors Franco Nero, GiulianoGemma and Gianni Garko, writer SergioDonati, and directors Sergio Sollima andGiuliano Carnimeo, Any Gun Can Play willsatisfy both connoisseurs and the curious.Complete with a foreword by Euro-Westernlegend Franco Nero, this stunningly illustratedreference guide takes aim at the lingeringnotion that the genre has little to offer beyondthe 'Dollars' films and a fistful of others,

exposing the full, vibrant history of the Euro-Western.

GUILLAMAUD, Patrice, La Gloire dans ladéfaite : essai sur le sacrifice et larenonciation dans l’oeuvre de John Ford,Liège, Éditions du Céfal, (Travaux & Thèses),2011, 378 pages.GUILLAUD, Lauric & Georges BERTIN (Dir.),Les Imaginaires du Nouveau Monde,Turquant, Mens sana, 2011, 190 pages.HARK, Ina Rae, Deadwood, Detroit, WayneState University Press, (TV Milestones), 2012,144 pages.

HOLTZ, Martin, Cinema in Transition : TheWestern in New Hollywood and HollywoodNow , Frankfurt am Main, New York, et al.,Peter Lang, 2011, 539 pages.The centerpiece of the book is the analysis of abroad range of Westerns, incorporating roughly100 films and presenting fresh perspectives onclassics like The Wild Bunch and Little Big Man,but also discussing neglected films like BillyTwo Hats and Bad Company, and modern filmssuch as Brokeback Mountain and No Countryfor Old Men.

KOEBNER, Thomas (dir.), Indianer vor derKamera, München, Edition Text und Kritik,2011, 204 pages.MILLER, Cynthia J., The Encyclopedia of BWesterns, Lanham (MD), Scarecrow Press,2011, 544 pages.ORLEAN, Susan, Rin Tin Tin : The Life of aLegend, New York, Simon & Schuster, 2011,336 pages.PETZEL, Michael & Jürgen WEHNERT (dir.),Karl May Welten IV : Neues für Karl MayFreunde, Bamberg Radebeul, Karl May Verlag,2011, 216 pages.SCHMIEDT, Helmut, Karl May oder dieMacht der Phantasie, München, Beck, 2011,366 pages.WEGENER, Jonas, Der Nahe Fremde : deramerikanische Western in den Kinos derBundesrepublik Deutschland (1948 -1960) : eine rezeptionshistorische AnalyseSuttgart, ibidem Verlag, 2011, 186 pages.ZACHARASIEWICZ, Waldemar, Riding :Writing across Borders in North AmericanTravelogues and Fiction, Wien, Verlag derÖsterreicher Akademie des Wissenschaft, 2011,394 pages.

Merci à tous les correspondants qui ontenvoyé des informations pertinentes

etBONNE ANNÉE 2012 A TOUS